Furthermore, the narrator introduces the “Hairy Man” as a seemingly harmless neighborhood tale of an odd neighbor, similar to that of how the children in To Kill A Mockingbird view Boo Radley. In actuality, however, it can be inferred by the speaker’s memories of the man “in his fenced-in yard, wooly-headed and bearded, hollering...until a nurse kind of woman...came out and took him back inside” that the man has some sort of real problems, which as a child, the narrator did not truly realize. Her mother’s comment on the man’s light blue windows being “a peaceful color for somebody shell shocked,” adds to the disconnect between child perception and adult perception because it is a physical representation of the ironic and hidden dismal nature of the world. Another demonstration is the cherry bomb incident in that the speaker uses imagery like “a keloid like a piece of twine down the side of his face” and “his glass eye that stared in a fixed angle at the sky”
Furthermore, the narrator introduces the “Hairy Man” as a seemingly harmless neighborhood tale of an odd neighbor, similar to that of how the children in To Kill A Mockingbird view Boo Radley. In actuality, however, it can be inferred by the speaker’s memories of the man “in his fenced-in yard, wooly-headed and bearded, hollering...until a nurse kind of woman...came out and took him back inside” that the man has some sort of real problems, which as a child, the narrator did not truly realize. Her mother’s comment on the man’s light blue windows being “a peaceful color for somebody shell shocked,” adds to the disconnect between child perception and adult perception because it is a physical representation of the ironic and hidden dismal nature of the world. Another demonstration is the cherry bomb incident in that the speaker uses imagery like “a keloid like a piece of twine down the side of his face” and “his glass eye that stared in a fixed angle at the sky”