In the journal title “The King's Body: The Martin Luther King Jr. Memorial and the Politics of Collective Memory” by Kevin Bruyneel, a professor of politics at Babson College, he noted that the very first controversy was about the sculptor. Furthermore, the journal indicates that the sculptor, Lei Yixin, was a artist from China in which not too many people were fond of it since some people expected a person of African-American background to be the sculptor. However, even through all the criticism in search for an new sculptor didn’t happen (Bruyneel 85-86). Bruyneel’s journal quote a statement from the California Chapter of the NAACP President Gwen Moore in which it said, “It’s an insult. This is America and, believe me, there’s enough talent in this country that we do not need to go out of the country to bring in someone to do the work. [...] These concerns reflect contemporary American anxieties about outsourcing, the status of American exceptionalism, and the general fear of China as a rising economic and political power.” (Bruyneel 85-86). Choosing the right sculptor is important since we want someone from African-American background so the sculpture can relate back to King’s
In the journal title “The King's Body: The Martin Luther King Jr. Memorial and the Politics of Collective Memory” by Kevin Bruyneel, a professor of politics at Babson College, he noted that the very first controversy was about the sculptor. Furthermore, the journal indicates that the sculptor, Lei Yixin, was a artist from China in which not too many people were fond of it since some people expected a person of African-American background to be the sculptor. However, even through all the criticism in search for an new sculptor didn’t happen (Bruyneel 85-86). Bruyneel’s journal quote a statement from the California Chapter of the NAACP President Gwen Moore in which it said, “It’s an insult. This is America and, believe me, there’s enough talent in this country that we do not need to go out of the country to bring in someone to do the work. [...] These concerns reflect contemporary American anxieties about outsourcing, the status of American exceptionalism, and the general fear of China as a rising economic and political power.” (Bruyneel 85-86). Choosing the right sculptor is important since we want someone from African-American background so the sculpture can relate back to King’s