Over the course of his artistic career, Chagall was involved with seven theater productions, the majority of which came after WWII. His introduction to theater began in Moscow at the Moscow State Jewish Theater, but truly developed when he immigrated to New York during the Nazi invasion of Paris (Barron). Chagall was directly involved in the set and costume design for the Ballet Theatre of New York’s Aleko, the New York City Ballet’s Firebird, the National Opera in Paris’ Daphnis and Chloe and the Metropolitan Opera's 1967 version of Mozart's The Magic Flute. Chagall’s work with the theater is extraordinary because it gives a chance for his paintings come to life and be given a voice, other than his own, through the directors and actors on
Over the course of his artistic career, Chagall was involved with seven theater productions, the majority of which came after WWII. His introduction to theater began in Moscow at the Moscow State Jewish Theater, but truly developed when he immigrated to New York during the Nazi invasion of Paris (Barron). Chagall was directly involved in the set and costume design for the Ballet Theatre of New York’s Aleko, the New York City Ballet’s Firebird, the National Opera in Paris’ Daphnis and Chloe and the Metropolitan Opera's 1967 version of Mozart's The Magic Flute. Chagall’s work with the theater is extraordinary because it gives a chance for his paintings come to life and be given a voice, other than his own, through the directors and actors on