Marc Antony's Soliloquy Analysis

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My transformation of the Shakespearean text employs many different grammatical features to create an effective, modern version of Marc Antony’s soliloquy. Features such as nominalisation, paragraphing and abstract noun groups are a few of the features used. My transformation is suitable for modern audiences, using both language and people that today’s society is familiar with.
My transformed version of the soliloquy uses many grammatical techniques and features to make it as interesting and grammatically correct as possible, whilst making it a piece of writing that people today are used to reading and/or hearing. Nominalisation is an important grammatical feature, which allows you to increase the levels of linguistic complexity as the text becomes more abstract, through leaving out the action of the nominalised verb. Words like ability, possibly and determination are all examples of nominalisation, and give more meaning into a sentence without needing to make the sentence longer than necessary. Overall, this gives the text as a whole more depth and meaning. The paragraphing used sets out the different ideas being introduced into the text, organising them into different paragraphs where all the ideas flow together.
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Having both speeches set at a funeral made sure that similarities were kept, same as the references to ‘after a person dies, the bad is remembered and the good forgotten’. Whilst I tried as much as I could to modernise the text, I tried to keep it quite formal. This is obviously because the speech is being performed by an ex-Prime Minister at another ex-Prime Minister’s funeral, which is quite the formal occasion. In the Shakespearean version, Antony talks about how Brutus says that Caesar is an honourable man, but he believes differently. In my version, Blair speaks about how many people often loathed Thatcher. In this, I have both similarities and differences. The language I have used is more modern, employing slang and generally newer ways of

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