Out of fear, Macbeth has Macduff’s family killed because after he receives the witches’ prophecies. Following that act, he suffers with the guilt of his decision as he debates whether or not he should battle a man who now has no family. After the Thane of Cawdor sends for Banquo and Fleance to be killed, he endures intense feelings of remorse and also hallucinates because he realizes that it is his fault that Banquo will not be attending the banquet. Finally, the most evident example of Macbeth’s mental deterioration is when he kills King Duncan and he begins to see images that are not there. In addition, he stops sleeping, and he refuses to accept responsibility for what he has done. During the entire play, Macbeth acts out of guilt and fear and is not once threatened or forced to execute a crime. By sinning, committing high treason, and ending the lives of many, Macbeth’s mental deterioration becomes complete. Although he was driven there by panic and the thirst for dominance, no excuse could ever validate Macbeth’s response to guilt and the power of his free
Out of fear, Macbeth has Macduff’s family killed because after he receives the witches’ prophecies. Following that act, he suffers with the guilt of his decision as he debates whether or not he should battle a man who now has no family. After the Thane of Cawdor sends for Banquo and Fleance to be killed, he endures intense feelings of remorse and also hallucinates because he realizes that it is his fault that Banquo will not be attending the banquet. Finally, the most evident example of Macbeth’s mental deterioration is when he kills King Duncan and he begins to see images that are not there. In addition, he stops sleeping, and he refuses to accept responsibility for what he has done. During the entire play, Macbeth acts out of guilt and fear and is not once threatened or forced to execute a crime. By sinning, committing high treason, and ending the lives of many, Macbeth’s mental deterioration becomes complete. Although he was driven there by panic and the thirst for dominance, no excuse could ever validate Macbeth’s response to guilt and the power of his free