Lines spoken are essential to the both the play and movie Macbeth as they provide exposition, characterization, and a myriad other cardinal attributes of storytelling. The lines of a work establish the overall feeling and mood of the work, proving their importance. It is necessary that these characteristics are transferred from text to film in order to keep the theme intact. Macbeth (2010) uses almost all of the original lines from Macbeth and – as a result of the creative freedoms of Hollywood style films – leaves room for the actors to take creative liberties. Simply put, this is because lines alone do not make a movie. Emotion needs to reveal itself; a scene’s atmosphere needs to be felt by the audience. In a huge moment of characterization, the viewers need to be convinced they are truly undergoing that particular character’s sensations. For example, in Macbeth’s anagnorisis
Lines spoken are essential to the both the play and movie Macbeth as they provide exposition, characterization, and a myriad other cardinal attributes of storytelling. The lines of a work establish the overall feeling and mood of the work, proving their importance. It is necessary that these characteristics are transferred from text to film in order to keep the theme intact. Macbeth (2010) uses almost all of the original lines from Macbeth and – as a result of the creative freedoms of Hollywood style films – leaves room for the actors to take creative liberties. Simply put, this is because lines alone do not make a movie. Emotion needs to reveal itself; a scene’s atmosphere needs to be felt by the audience. In a huge moment of characterization, the viewers need to be convinced they are truly undergoing that particular character’s sensations. For example, in Macbeth’s anagnorisis