Unlike men who can woo whomever they please, women are not allowed to fight for love; instead, they must passively wait for the man of their dreams to notice them. In chasing Demetrius through the woods, Helena is breaking the rules of her sex, becoming the pursuer rather than the pursued. She likens herself to Apollo who chased the unwilling huntress Daphne through the woods. Helena's choice of examples is significant because it emphasizes the violence men (or gods in this case) have often perpetrated against women: Apollo wanted not only to capture Daphne, but to rape her. In chasing Demetrius, Helena claims to have appropriated Apollo's role, yet Demetrius is still the one who threatens violence when he vows to "do [her] mischief in the wood" if she doesn't stop following him. Not only must woman patiently wait for her chosen lover to call, but she is also constantly threatened by male sexual violence if she resists unwanted male
Unlike men who can woo whomever they please, women are not allowed to fight for love; instead, they must passively wait for the man of their dreams to notice them. In chasing Demetrius through the woods, Helena is breaking the rules of her sex, becoming the pursuer rather than the pursued. She likens herself to Apollo who chased the unwilling huntress Daphne through the woods. Helena's choice of examples is significant because it emphasizes the violence men (or gods in this case) have often perpetrated against women: Apollo wanted not only to capture Daphne, but to rape her. In chasing Demetrius, Helena claims to have appropriated Apollo's role, yet Demetrius is still the one who threatens violence when he vows to "do [her] mischief in the wood" if she doesn't stop following him. Not only must woman patiently wait for her chosen lover to call, but she is also constantly threatened by male sexual violence if she resists unwanted male