Lucy Orta continues to amaze the art industry as she strives to accomplish her countless visions and goals throughout her artistic and fashion career. Crewe examines Lucy’s more recent projects “Urban Life Guards” (2004- on going), as she focuses on the body as a metaphorical supportive framework. This article allows the reader to identify Lucy’s new and innovative deigns and still have that strong meaning behind her work. This article states, “reveal the limits and possibilities of materiality and open up a physical and metaphorical space through which to revision the politics of consumption,” (Crewe, 2010), allows the reader to exhibit how Lucy’s new project isn’t just about what individuals personally have to go through but how Lucy can
