Tiffany uses contrast in his composition to help direct the viewer’s eyes to different areas of his work. Typically, the viewer’s eyes start at the bright yellow sunset. When they look at the sunset, they then look at the dark contrast it has against the blue and purple mountains. The contrast between the two colors implies depth since it was created to resemble the horizon. After noticing the contrast, the viewer’s follow the organic form of the river and perceive the dark shades of blue surrounding the nature. The dark river then leads the viewer’s eyes to the patch of pink flowers. The pink flowers contrast against the surrounded complementary color green. The viewer then looks at the remaining foreground and by then has viewed the
Tiffany uses contrast in his composition to help direct the viewer’s eyes to different areas of his work. Typically, the viewer’s eyes start at the bright yellow sunset. When they look at the sunset, they then look at the dark contrast it has against the blue and purple mountains. The contrast between the two colors implies depth since it was created to resemble the horizon. After noticing the contrast, the viewer’s follow the organic form of the river and perceive the dark shades of blue surrounding the nature. The dark river then leads the viewer’s eyes to the patch of pink flowers. The pink flowers contrast against the surrounded complementary color green. The viewer then looks at the remaining foreground and by then has viewed the