The beast is symbolic of the evil within mankind, which is personified as “the snake-thing” by the littluns. “The snake-thing” alludes to the serpent from the Garden of Eden which tempts Adam and Eve into eating the forbidden fruit, which led to the loss of innocence. The dead parachutist at the beginning of chapter six represents the beast approaching the island, the beginning of the end of innocence, which is later mistaken as the beast by Sam and Eric. The sow’s head on a stick represents the embracement of the beast, “‘This head is for the beast. It’s a gift’” (137). Later, the sow’s head becomes known as the Lord of the Flies and is the physical representation of the devil himself, and he tells Simon the true nature of evil. The symbol that allowed the boys to embrace the beast, however, was the paint. The paint gave the boys freedom from their identity, allowing them to mercilessly kill, “and the mask became a thing of its own, behind which Jack hid, liberated from his shame and self-consciousness” (64). All of these symbols contributed to the loss of the boys’ innocence; they each lead the boys down the path of evil, also known as human
The beast is symbolic of the evil within mankind, which is personified as “the snake-thing” by the littluns. “The snake-thing” alludes to the serpent from the Garden of Eden which tempts Adam and Eve into eating the forbidden fruit, which led to the loss of innocence. The dead parachutist at the beginning of chapter six represents the beast approaching the island, the beginning of the end of innocence, which is later mistaken as the beast by Sam and Eric. The sow’s head on a stick represents the embracement of the beast, “‘This head is for the beast. It’s a gift’” (137). Later, the sow’s head becomes known as the Lord of the Flies and is the physical representation of the devil himself, and he tells Simon the true nature of evil. The symbol that allowed the boys to embrace the beast, however, was the paint. The paint gave the boys freedom from their identity, allowing them to mercilessly kill, “and the mask became a thing of its own, behind which Jack hid, liberated from his shame and self-consciousness” (64). All of these symbols contributed to the loss of the boys’ innocence; they each lead the boys down the path of evil, also known as human