These first two stanzas project a jovial and tranquil tone that allow the reader to see how the young white man may wonder why or how a well-educated person like Cervantes could think that a war between race is present. Shortly after, however, a pivotal section of the poem arises in the third line of the third stanza as Cervantes asks the one and only question present in the poem: “do you think I can believe in a war between races?” Here the poem’s tone takes a dark turn and begins to address the dramatic issue of acknowledging a war between races is present. Cervantes responds by recognizing that she is able to reject the idea, but not until she feels safe—an additional reason why Cervantes dramatizes the thought of
These first two stanzas project a jovial and tranquil tone that allow the reader to see how the young white man may wonder why or how a well-educated person like Cervantes could think that a war between race is present. Shortly after, however, a pivotal section of the poem arises in the third line of the third stanza as Cervantes asks the one and only question present in the poem: “do you think I can believe in a war between races?” Here the poem’s tone takes a dark turn and begins to address the dramatic issue of acknowledging a war between races is present. Cervantes responds by recognizing that she is able to reject the idea, but not until she feels safe—an additional reason why Cervantes dramatizes the thought of