Keating talks about how lighting inside noir films are more low key and deep focus, while in regular studio cinema it tends to be more shallow and high key. Keating goes on to explain how this style of filming tends to be more “expressive”, explaining how this allows the viewer to connect more with the facial expressions of the actor and the entire Mise-en-scene of the shot. The use of hard or soft low key lighting allows
Keating talks about how lighting inside noir films are more low key and deep focus, while in regular studio cinema it tends to be more shallow and high key. Keating goes on to explain how this style of filming tends to be more “expressive”, explaining how this allows the viewer to connect more with the facial expressions of the actor and the entire Mise-en-scene of the shot. The use of hard or soft low key lighting allows