The houses “...cover the bare hillsides, like gravestones in some gigantic and decaying cemetery,”and “they bury themselves swinishly in the mud.” Comparing a building to a pig most definitely shames the inanimate object, a home is where one should feel safe, protected and comfortable, not be all dirty like a pig in the mud or relate to where death lives. Mencken goes on about the description of the houses and “grime of endless mills,” the houses being “...streaked in grime with dead and eczematous patches of paint peeping through the streaks.” There’s no positivity being described here, whatsoever only emphasizing the grotesque looks of these towns. As these images are being brought to the reader’s mind through imagery, the working and middle class is being criticized by
The houses “...cover the bare hillsides, like gravestones in some gigantic and decaying cemetery,”and “they bury themselves swinishly in the mud.” Comparing a building to a pig most definitely shames the inanimate object, a home is where one should feel safe, protected and comfortable, not be all dirty like a pig in the mud or relate to where death lives. Mencken goes on about the description of the houses and “grime of endless mills,” the houses being “...streaked in grime with dead and eczematous patches of paint peeping through the streaks.” There’s no positivity being described here, whatsoever only emphasizing the grotesque looks of these towns. As these images are being brought to the reader’s mind through imagery, the working and middle class is being criticized by