The stylistic similarities between pieces found in the Lewis Chessmen and a piece excavated from the Bishops Palace in Trondheim creates a direct link to the town. But even with evidence linking the chess pieces to Trondheim, many still argue the pieces true origin today. Archeologists can’t definitively say exactly when and where the Chessmen were carved, but the style mirrored other artifacts that have been dated to between A.D. 1150 and 1200. Around the end of the Viking Age and when Norway still ruled the Outer Hebrides is the definitive time period that they were most likely carved because of the Nordic influence. Further evidence that these pieces were from the 12th century are the tall miters, a head-dress worn by the bishops as a symbol of office. Bishops today have their points in the front and back, which did not begin until around 1150. Before the change bishops wore the miter with the points on the sides, which gave them the appearance of having horns sprouting from their
The stylistic similarities between pieces found in the Lewis Chessmen and a piece excavated from the Bishops Palace in Trondheim creates a direct link to the town. But even with evidence linking the chess pieces to Trondheim, many still argue the pieces true origin today. Archeologists can’t definitively say exactly when and where the Chessmen were carved, but the style mirrored other artifacts that have been dated to between A.D. 1150 and 1200. Around the end of the Viking Age and when Norway still ruled the Outer Hebrides is the definitive time period that they were most likely carved because of the Nordic influence. Further evidence that these pieces were from the 12th century are the tall miters, a head-dress worn by the bishops as a symbol of office. Bishops today have their points in the front and back, which did not begin until around 1150. Before the change bishops wore the miter with the points on the sides, which gave them the appearance of having horns sprouting from their