The painting, Layman Vimalakirti also by Toyo resembles, the Painting of Juro in its similar depiction of a white-haired man, leaning with his shoulders and head, forward in a sign of humility. The scarf and draperies around this figure are also similar. However, in this painting Toyo did not depict any animals that represent longevity. Instead he only focused on the God himself. Jurojin became a popular subject of Japanese ink wash paintings. He was first introduced into the Japanese art tradition by famous Zen Buddhist painters. Many depictions of Jurojin appeared during the span of the Muromachi period through the Edo period (1603-1869). Due to having more than one painting depicting the God Juro, it is evident that Sesshu Toyo was
