1. Brunelleschi & Ghiberti / Sacrifice of Isaac Competition Panels (1 video)
1. To create doors for the baptistery. The winner would have their sculptures decorate the doors.
2. Ghiberti was less violent less scary, more complexity emotionally, Abraham was reluctant. Ghiberti used less bronze.
3. I like Ghiberti’s panel more because it is less violent and less traumatic than Brunelleschi’s panel.
2. Brunelleschi / Dome of the Cathedral of Florence
1. The first problem was, there were no mechanisms to lift the heavy materials far off the ground, but Brunelleschi came up with a three-speed hoist with gears, pulleys, screws and driveshafts powered by a single oxen to life the materials. Cracks also appeared in the catherdral nave, but Brunelleschi was able to strengthen the walls with iron bars.
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The Pantheon was built using a barrel vault, and the dome of Santa Maria del Fiore was built using two domes, one inner and one outer, and the pressure caused by the weight of the dame would be held up with walls bound with tension rings of stone, iron and wood.
3. Campin? / Merode Altarpiece (1 video / 1 article) (#66)
1. In a modern environment, weird because it was out of their time, but it made the piece relatable, so that they could connect with Mary and see what it mus have been like.
2. The tabletop is too steep, too many perspectives, narrower in the back of the room than in the front, the floor is too slanted, and the figures are too large for the setting.
3. It is Christ, heading right to Mary.
4. Van Eyck / The Arnolfini Portrait (1 video, short reference on National Gallery website) (#68)
1. Italy, in Bruge to take advantage of economic activity. His large hat, her green wedding dress, their nice rug, Arnolfini looking wimpy, and the dog are symbols of