Laocoön And His Sons Analysis

Improved Essays
In this formal analysis essay, The analyzation of Laocoön and His Sons will be made. A sculpture created in the first century by the artists Hagesandros, Polydoros and Anthenodoros which is currently located in the Vatican. This sculpture is based on Greek mythology, as Laocoön was a priest that warned the Trojans not to bring the wooden horse inside the walls. The Greeks Gods who supported the Greeks saw his actions and punish him by sending serpents to kill him and his sons. This essay will be focusing about the details shown in the sculpture like valance, composition, the type of style that the sculpture is and why the artists decided to use the material that they did.
The sculpture shows how the story unfolds in a realistic but idealistic tone. It contains a wide variety of details from the great saphenous veins in the inner thigh of Laocoön to facial expressions that leave onlookers gaping. Almost every single muscle in the body of Laocoön is perfectly tone, with huge triceps and biceps and a well-built torso.Everything is anatomically correct. Laocoön was a priest, not a bodybuilder, which leads us to believe that that was not his real body but an idealization of what it should have been. but the
…show more content…
Laocoön’s body language expresses defeat, agony and fear at his weakest state. Maybe the artists decided to make it that way to drag the attention to him, as he has the most details out of everyone and is the biggest in the sculpture, on top of that he is also place in the center, where normally the most important thing goes. Laocoön is also the person with the most opened body, and if the ruler of third is used it can be seen that his body takes two thirds of the sculpture. This ruler is so effective because it lets the human eye view something in a more natural way, and prioritizes a specific area without disturbing the overall

Related Documents

  • Improved Essays

    The statue, a hollow-cast bronze, is fully frontal with a ridged and stiff posture (Ridgway 1967: 46). The left foot is taking a step forward, but both feet are firmly planted on the ground. The chest is square and bulky, yet the features, such as the abdominal muscles and the pectoral muscles are barely defined because of a lack of modeling with the “omission of digitations or ribs” (Ridgway 1967: 50). The statue is in the nude, like archaic kouros are. The face is angular with high copper brows and copper lips that are demonstrating the prominent archaic smile.…

    • 838 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    For this analysis, the artwork I selected a Volute Krater made in Greece during the 4th century B.C.E. The artist, The Underworld Painter, uses several lines, especially in the temple made for Atlas. The horizontal and vertical lines give the temple definite shape because of the thickness and they signify that a hero who has died, is the focal point on the back of the vase. The artist also uses curved lines at the top of the vase to show the richness of detail and drive the story further. The artist also uses the pointing hands of several figures to show a psychological point; Atlas on his throne and Selene driving her chariot.…

    • 1129 Words
    • 5 Pages
    Decent Essays
  • Improved Essays

    Despite only a portion of the work remaining, it is evident that Apollo or Dionysus was depicted with a lean body type as evidenced by the slimness of the figure, coupled with its flat stomach. There is the presence of v-shaped lines at the intersection of the abdomen and the beginning of the thigh, marking a clear division of the torso and pelvis. The appearance of v-shaped lines is present whenever a man has low body fat and muscular definition, and those of the sculpture are deeply accentuated. There is an athletic appearance to the torso; however, its athleticism is depicted as toned as opposed to bulky. For instance, while there is some muscular definition in the figure’s abdomen, there is not a noticeable prominence of the abdominal region.…

    • 1090 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    The article is a critical synopgterop30is to the painter Peter Paul Ruben from author Lisa Rosenthal. She mentions few main art pieces which done by Ruben such as The Hero Crowned by Victory and Drunken Hercules. The author generally talks about Ruben’s art in the first few paragraphs and it shows that his works are popular among his many sponsors. And also, the author uses some examples from Ruben’s art works to show the abstract characteristic male and female figures in particular causes. Moreover, she discusses about masculinity and femininity by suing those examples.…

    • 783 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The sculpture Triad of King Mycerinus and Two Goddesses, which resides at the Boston Museum of Fine Arts, was excavated from The Temple of Mycerinus in Giza and was created between 2548 - 2530 BCE, during the reign of Mycerinus. Made from greywacke, an incredibly coarse, dark sandstone, this sculpture uses variation in texture, incorrect scale, and line to draw attention to King Mycerinus in relation to the two divinities, and thus is an example of royalty as divinity. Overall, this sculpture depicts the goddess of the Hare Nome, the goddess Hathor, and the King Mycerinus (in that order from left to right), all carved from a single block of greywacke. Additionally, this is an example of a high relief sculpture, meaning that the sculpture is…

    • 1154 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Lao-Te Ching Analysis

    • 1250 Words
    • 5 Pages

    Friends on the Surface Yet fundamentally contrasting: How Lao-Tzu Refutes Ruggiero From reading “Thoughts from the Tao-te Ching”, it may first appear that both men, Lao-Tzu and Ruggiero are harmonious in their beliefs, however probing further reveals that while there is likeness, there is also a great deal of conflicting ideas. When It comes to critical thinking and how one should approach life, Ruggiero would have strong objections to Tzu's “Thoughts from the Tao-te Ching” and ultimately Lao-Tzu concepts refute those of Ruggiero. The main conflicts of the two teachings include: Lao-Tzu assertion that humans should flow with the natural order of the World, Lao-Tzu works appeal to emotions by way of aphorisms, and Lao-Tzu dissuades the search for knowledge.…

    • 1250 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Laocoon and his Sons, created during the Greek Hellenistic Period, displays a scene where the priest Laocoon and his sons, Antiphantes and Thymbraeus, are attacked by sea serpents. Francesco Primaticci generated the sculpture with white marble and was found in Rome in the 1500’s. Since it was made in the Hellenistic Period, it differs from the previous Classical Period, with a few exceptions. For example, Laocoon and his Sons shows a strong individual and specific image, whereas Classical Period sculptures are centered around ideal images. The Classical Period established the idea of beauty, and used marble like the Hellenistic Era, but they included more bronze, silver, and hollow casting, as well.…

    • 196 Words
    • 1 Pages
    Improved Essays
  • Improved Essays

    Hydria

    • 595 Words
    • 3 Pages

    INTRODUCTION: PUTTING THE ANCIENT ART OF GREEK INTO MODERN LIMELIGHT, This paper seeks to analyse the ancient art of Greek art and consequently interpret the same for modern day scholars. STYLISTIC ANALYSIS HYDRA WATER JAR The body of this elegant vessel was made of hammered bronze, it is unsual for its thin walls to have survived the intact over a period of 2500 years.…

    • 595 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The statue is fashioned from marble and stands 3 and a half feet tall. The statue depicts a Gaul man who is laying on his shield as blood pours from the gash in his chest. Hellenistic art is realistic in that his skin appears hard and dry, the muscles appear heavy, his face expresses pain, anguish and despair, which is a common style of the Hellenistic period. They were also very interested and intrigued by pathos and death during this style period. The sculptor depicted this Gallic man with matted hair, a mustache, and a twisted collar which were characteristics of a barbarian, greatly feared and admired, and worthy battle opponents.…

    • 547 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    This sculpture really reflects the romans because this is a poor, weak, old woman and she is still doing what she has to do to pay her respects. Hellenistic art is all about vivid and theatrical representation with lots of naturalism and realism in its…

    • 945 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    1. E. Gazda (ed.) While a more bit technical to read than some articles this was still a truly interesting read, and while the actual topic is a bit difficult to ascertain, if one reads with care, it can be found. This paper centers around a pair of sculptures called “The Dying Gaul and The Gaul Killing Himself and his Wife” long attributed to a Greek sculptor. The main argument is about the actual historical originality of these figures, but there is also a much deeper current of inquiry into how much of Roman sculpture is original.…

    • 836 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    Looking at this work, one knows right away that da Vinci was wrong. First, the neck is elongated far past the normal size. The scapulae are the wrong shape (they almost look like the front view of a scapula, but da Vinci is working on the anterior portion so it is most definitely wrong). Also the conjunction points of the humerus with the backward facing scapula are strange to look at.…

    • 2205 Words
    • 9 Pages
    Great Essays
  • Improved Essays

    As Hercules is shown in mid-motion, looking as if he can move to finish his action, there is a clear connection between this piece and Diskobolos, which also depicts a nude male that is in mid-motion about to throw a disk. He also is in an unnatural pose that would not be practical for throwing a disk, as it would be the same for Hercules if he were to really fight the hydra. They are both shown with idealistic bodies that are extremely high in detail as they show the protruding bones under the skin and details of the muscles. Though both depict idealized figures, there is a difference in the concept of the ideal as Hercules is muscular and large, while the Diskobolos is slimmer but with still a little muscle. Also, the Diskobolos incorporates an outstretched arm that is echoed in Hercules’ elevated leg.…

    • 2314 Words
    • 10 Pages
    Improved Essays
  • Improved Essays

    But, the second figure surprises the viewer as it reveals sculpture of Adolf Hitler in a miniature body form. It is a part of the artist, Cattelan's style. Cattelan likes to put the sculpture in an empty room or environment where the face of the sculpture always…

    • 1432 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    This essay will be discussing and analyzing two paintings, one by Jacques-Louis David called “The Death of Socrates” and the other by Eugene Delacroix called “The Death of Sardanapalus”. The analysis will include a discussion of the artworks content such as the historical factors and the two different styles that each painting represents. The Neoclassical style is represented by “The Death of Socrates” and the Romantic style is represented by “The Death of Sardanapalus”. The form of the painting will be discussed through the elements of design and principle of design which will be included when analyzing the two paintings. The elements of design will include line, shape, value, color, space, and texture on the two paintings.…

    • 1103 Words
    • 5 Pages
    Improved Essays