The third version of La Llorona is actually the 2005 pilot episode of the popular American television series, “Supernatural.” In this episode, La Llorona is referred to as both the Weeping Woman and the Woman in White. In this retelling, she is depicted as a seductive woman who wears white clothing. She targets unfaithful men and invites them to go home with her. After the men accept her offer, she murders them and makes the bodies disappear.…
1. The letter was written by Don Juan de Onate. He was a Spanish-American explorer, colonizer & father that led a group from Zacatecas known then as New Spain know now as Mexico present day Santa Fe. He led his party of 600 persons buy wagon, described as moving a village some four miles long. He was a person who left his country in disgrace and was hoping to please his Lordship and Majesty with the riches that he could claim for them.…
“Continuidad de Los Parques” features a skilful manipulation of a mere 543 words in order to insert a story within a story. In the first realm, (or story one) a man retreats to a novel he had begun reading a few days earlier and had to leave due to urgent business matters. This realm is initially portrayed as a description of reality. Sitting in his study in an armchair of green velvet, with his head resting comfortably against the back of the chair, he enjoys the presence of his cigarettes and the view of the park from his window. The protagonist likes the feeling of giving himself over to the story, and allows himself to be quickly and consciously drawn into the action of the novel.…
The ways in which the female and male protagonists are portrayed within a certain telenovela are representative of the traditional gender roles that are present in Latin America. In…
He displayed it as it was and did so with bright color. This analysis will examine Azuela’s subtle opinions about the revolution, the ways the characters showed different aspects of the complex situation and how The Underdogs can be used a primary source for historical…
Machismo and Marianismo in Latin American Telenovelas It started off like any other Saturday night. My father wasn’t working that day, which meant we would have our cherished family time. “Family time” meant that we’d all get comfortable on our couch, and catch up on all of the telenovelas that my parents were into. Usually, my mother was into the telenovelas that were produced in Turkey or Korea which were later translated into Spanish.…
Both Oscar Zetas Autobiography of the Brown Buffalo and Ana Castillo’s Novel So Far From God are examples of the use of magic realism and mythology in Chicano/a literature. However, both pieces of Chicano/a literature display their own unique interpretation of self-identity. Beginning with the plot of the Autobiography of a Brown Buffalo, Oscar is a lawyer at the East Oakland Legal Aid society. He drives to his office in downtown San Francisco only to discover that his secretary, who usually does most of the work for him, has died over the weekend.…
Laura Esquivel’s articulate portrayal of Mexico’s history, elucidated by the works of Tyrer, Cheyne, etc., shows the book's themes as well developed and explained, even under close examination. The book portrays the idea that duty and tradition clash with passion and progress in its full magnitude, showing that this conflict, this friction, creates a spark, and this spark cooks food, fuels desire, and lights bodies, marriage beds, and countries on fire. Like chocolate sizzles in hot water, so the power of the feminist movement bubbles over into the future of Mexico and the world. Como agua para chocolate, passion churns the melting pot of societies…
Juan Antonio Bayona’s El Orfanato (2007) is a Spanish horror film that illustrates the Spanish ghost story while also representing the tragic loss of childhood. Laura returns to the orphanage where she was raised, hoping to re-open it. Instead, her son Simón goes missing seemingly at the hands of ghosts from her past. The disappearance and subsequent death of her son, as well as her reunion with her ghostly childhood friends symbolizes significant aspects of Spain’s traumatic history. This can be seen through the use of multiple genre approaches to the narrative, specifically the socio-cultural approach.…
Many of the Latin American stories consist of depicting death, loss, oppression, and in some odd ways the obstacles in love. Everything unfolds in a surreal way while others convey magical realism into their plots; making each spun tale more alluring and breath taking. In the nineteenth century Latin America was transitioning from a world where society was its people spoke out and rebelled against those of higher authority with the goal of gaining freedom. However, for the most part there was a lot of terrorizing of the town folk, torture and death as far as the eye could see.…
In Gloria Anzaldua’s “La Prieta,” we are presented with the concept of being an accomplice to the oppressor’s ideology. Anzaldua describes how we are passing onto children the oppressor’s ideology regarding gender and social roles. Therefore, by being an accomplice the following issues arise: 1) it presupposes gender and social roles, 2) ignores personal aspirations, and 3) portrays women as weak thus limiting their autonomy. However, Anzaldua goes on to state that she will not be a part of the “same” process that has haunted her since her childhood. This reveals that changes in dominant ways of thinking must began since childhood in order to reconstruct the social and gender roles.…
Alvarez shows us in the depths of the Hispanic culture set in the conflict of the Trujillo dictatorship. The conflict in the story is what gave Alvarez the opportunity to highlight the true Hispanic culture: a family in distress, how they are brave, and deeply care for each other. The de la Torre are a tight-knit Hispanic family who is living under the rule of El Jefe. The family in the story shows us how to be brave, with strong family bonds. Strong family bonds in the Hispanic culture is comparable to other cultures.…
On top of that, when asked her father always he has seven sons, even though he only has six sons and one daughter. This “mistranslation” always hurt when she hears him say it. As time go by finally one of her writings were translated into Spanish and only this time is when her father finally realize his daughter’s hard work and accomplishments. In this essay, Cisneros tries create an idea where women can be valued equally to men in the society during this time. Through the use of this, Cisneros is able to construct gender by showing how men, or society in general, view women as inferior to men.…
This paper will analyze the short novel Aura by Carlos Fuentes, a well-known Mexican writer who was part of the literary movement known as Boom. I argue that Carlos Fuentes creates a mythical reality to reference Mexican history. He uses Aura, Felipe Montero, and Consuelo as a reflection of the past and the present, where Consuelo represents the past and Felipe the present. In this analogy, Aura represents what Mexico could become. Mexican history is hard to understand because it is intertwined with myth, therefore to understand Mexico we need to understand its mythical past.…
The setting, time and place, can have a significant effect on the characters of a novel. Gabriel Garcia Marquez’s Chronicle of a Death Foretold is a novel that takes place in a small Colombian coastal town in 1950s. The story examines the murder of the protagonist Santiago Nasar, and the events leading up to it. Colombian culture has a heavy impact on the behaviours, character traits as well as the values of the characters in Chronicle of a Death Foretold. If the text had been written at the present time and if the setting had been a modern city in another place, the murder would not have occurred, and actions of certain characters of the novel would not make sense for certain reasons.…