In both the film 1860 and La Habanera, they depict the female subjects as the guardians of their families. In many respects, the paradigm for representations of female experiences in this epoch is established through two most prominent female characters: Carmeniddu’s wife, Gesuzza, in 1860 and Astrée in La Habanera. These women show intense devotions to their families. In 1860, Carmeniddu’s wife, Gesuzza, runs onto the battlefield to look for her husband, haphazardly consoling a dying soldier, who has mistaken Gesuzza for his mother, to pass into death with some semblance of comfort.…
While reading Angela Morales’ essay collection, The Girls in My Town, we are able to see through her writing a dark and at the same time humorous moments that took place in her life. You will find a door into her life, as you keep reading more and more; as a result, leading us to see everything she saw with her eyes as if it was our very own Furthermore, Angela’s writing brings life into her book; being able to write down exactly what she remembered without holding back or censoring certain words, but instead, freeing herself. As a Mexican decent, she did not fail to bring some of her background into her writing, by using a few Spanish words, and looking back at certain events involving her family and life experiences. As you read Angela Morale’s…
La Llorana is a very well-known and widespread urban legend in Mexico and has become just as prevalent in America with the Mexican-American cultural influence of the media, such as horror movies, TV series, and novels. This legend has been passed down from generation to generation as part of the tradition embedded in the Mexican culture and as a result, there are many different interpretations of La Llorana, such as what she looks like as well as what her story is. The fact is this myth is only ancient folklore and even so it has captured the minds of the public for decades. La Llorana in Spanish translates to English as the “crying or weeping woman”. The Myth has many interpretations due to the amount of retelling it has gone through, but…
Through the experiences of Puerto Rican author and narrator Judith Ortiz Cofer, The Myth of the Latin Woman: I Just Met a Girl Named Maria, exemplifies misconceptions and stereotypes Latin women face, as well as how American and Latin cultures differ. “You can leave the island, master the English language, and travel as far as you can, but if you’re a Latina, the island travels with you” (par 1), when being at the other side of the world, Judith witnessed a man kneeled before her, performing for her a rendition of “Maria” from West Side Story, while this gathered other people’s attention, it did not amuse the…
Born in a family of Mexican immigrants, Sandra Cisneros discovers her niche in the American literature by writing from her experience as an immigrant growing at the confluence of two cultures. Until her teenager years, Cisneros’ family moves back and forth from Chicago to Mexico, making her feel not integrated in either culture. As Robin Ganz declares, Cisneros “derived inspiration from her cultural specificity and found her voice in the dingy rooms of her house on Mango Street, on the cruel but comfortable streets of the barrio, and in the smooth and dangerous curves of borderland arroyos” (1). In her short story, “Woman Hollering Creek”, Cisneros describes the life of a Mexican woman, Cleofilas that marries a man from “el otro lado” in the…
Esperanza lives in a small, rundown house on Mango Street. Throughout the story, Esperanza loses her innocence and matures. As the story begins, Esperanza is portrayed as innocent and young. She explains to the reader how the boys and the girls in her neighborhood seem to “live in separate worlds” (Cisneros 8). Esperanza does not seem to have an interest in the opposite sex.…
Sandra Cisneros’ “Women Hollering Creek,” describes the life of Cleofilas, a Mexican…
Cisneros, having grown up in America, often experienced rifts between her Mexican parents and their cultures as well, and this is reflected in her writing. In “Only Daughter” she writes, “Being only a daughter for my father meant my destiny would lead me to become someone’s wife. That’s what he believed.” Here, cultural values clash as Cisneros recounts the conflicts she has faced in her life due to different ideologies in within her household. Similarly, in “Woman Hollering Creek”, the main character feels isolated from both her father and husband due to the oppression she feels under the traditional Latino values that dictate a woman as property to the men in her life.…
Sandra Cisneros is the author of a short story entitled "Mericans”. It has a young female narrator is stuck in an “old world” culture. In this particular case it is a Mexican culture. The narrator does not seem to understand the traditions, this shows a rift between the children that are Mexican but are being brought up in America and their grandmother who has migrated here from Mexico. Ciseneros uses the setting and symbolism to create the theme of individualism conflicting with cultural traditions; the individual children show confusion when it comes to showing which culture they belong to.…
In Chapter 4 of Mexicanos by Manuel G. Gonzales it talked about the American southwest of 1848-1900 in four different states: California, New Mexico, Arizona, and Texas. In California, after the Mexican American War, the Spanish –speaking society worsen. On January 24, 1848 gold was discovered by James Wilson Marshall and an employed carpenter named John Augustus Sutter in Coloma. In 1848, miners forced their way into the Sierra foothills, after a year the small stream became a huge spreading into territories. Out of the miners, the most successful were the Latin Americans from South America and Northern Mexico.…
The Southwestern tales, which are also known as Hispanic folktales, were first told around the early nineteenth century and are still told today. Presently, the folktales are used to instill moral lessons and the meanings of religions to people of different ages, especially young children. Jose Griego y Maestas collected and presented the tales “Los tres hermanos (The Three Brothers)” and “La comadre Sebastiana (Dona Sebastiana)” in Tales from the Hispanic Southwest. The tale of “Los tres hermanos” teaches the lesson that children should be grateful to their parents. While, the tale “La comadre Sebastiana” reveals the message of social inequity in Christianity and the lesson that people should keep their promises.…
With the poetic narrative style of this book, Guadalupe Garcia McCall is able to create this realistic and sad world from Lupita’s perspective that you are able to feel in your heart, giving you the sense that what Lupita experiences the reader experiences as well. From assimilating her mexican latino culture with the american culture to her mother’s cancer and later on death, to the overwhelming pressure in trying to become the anchor of her family, Lupita’s life is faced with extreme life challenges. Guadalupe Garcia McCall argues that even though there is life challenges and even though they might be overwhelming, you must come to accept the consequences, and let the challenges shape you into who you will become in the future, and she is able to tell this in this inspiring and heart-wrenching story. In conclusion, Under The Mesquite tries to convey the theme of acceptance, and does it…
As for this week’s reading assignments, I was introduced to two pieces of readings: Judith Lorber’s “Night to His Day,” and Cherrie Moraga’s “La Guera.” Having read and thinking about the issues of the readings, I was aware of the process that the society has used to construct gender over the years (in “Night to His Day”) and how mistreatment, like racial discrimination or gender inequality, is involved in the construction of gender (in “La Guera”). Let’s talk about Lorber’s article. As I read, I noticed what the author indicates: “For individuals, gender means sameness,” and “for society, gender means difference;” I believed that it was true. From my perspective, each individual in this society complies with his [or her] group’s expectations…
In Gloria Anzaldua’s “La Prieta,” we are presented with the concept of being an accomplice to the oppressor’s ideology. Anzaldua describes how we are passing onto children the oppressor’s ideology regarding gender and social roles. Therefore, by being an accomplice the following issues arise: 1) it presupposes gender and social roles, 2) ignores personal aspirations, and 3) portrays women as weak thus limiting their autonomy. However, Anzaldua goes on to state that she will not be a part of the “same” process that has haunted her since her childhood. This reveals that changes in dominant ways of thinking must began since childhood in order to reconstruct the social and gender roles.…
Through the collection of poetry from the works titled, When My Brother Was An Aztec, Natalie Diaz delves deep into her childhood trauma through very imaginative and often unexpected ways. This collection is broken up into three sections, the first section focuses on the racism and oppression that Diaz experienced growing up as a Native American woman with poems such as “The Gospel of Guy No-Horse” which approaches this topic through humor. The second section of poems emphasizes how Diaz was consumed by her bother and his drug habits through poems like “How to Go to Dinner with a Brother on Drugs.” While section three concentrates on Diaz’s life outside of her brother through poems such as “Toward the Amaranth Gates of War or Love.” Although…