Krisha Movie Analysis

Improved Essays
The caustically bitter, micro-budget feature “Krisha” is a serious candidate to the best drama of the year.
Cleverly engendered by Trey Edward Shults, who also plays himself in the film, this genuinely disturbing story is 100% fictional but feels immensely realistic, and the reasons for that can be easily explained.
In order to enhance intimacy among the actors, the writer/filmmaker hired some close relatives but swapped their roles within the fictitious family. Thus, his real mother, Robyn Fairchild, played his aunt in the film, while his real aunt, Krisha Fairchild, became an unexpected star as she plays his frustrated mother who attempts to reconnect with her estranged son while recovering from drug and alcohol addiction. Opposing to these
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In truth, she struggles all the time to maintain a proper posture due to an excessive consumption of drugs while concealing her most inner frustrations and lack of confidence.
This state of imminent breakdown is wondrously depicted through a well-crafted camerawork (recurrently alluding to the confusion lived in Krisha’s mind), and the addition of odd sounds and noises that intensify the sense of disorientation and chaos.
Eventually, Krisha ends up unveiling all her self-destructiveness toward an agonizing finale that won’t leave you unfeeling.

I dare to say that Mr. Shults, who resorted to earnest close-ups in order to better define sentiments, is the modern image of John Cassavettes, just as his aunt Krisha is the modern image of Gena Rowlands.
Everything was planned and mounted in accordance to the smallest detail, and while the dialogues are double-edged, the performances are absolutely flawless.
With a hefty discharge of madness enveloping the plausible scenarios, the emotionally biting “Krisha” can be as darkly funny as genuinely disturbing.
It is, in fact, a superior

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