According to Jackson, the European family served as a symbol of the insinuation of Europe into Kenya. As a result, it was idealized and charged with the task of ensuring that Kenyan culture lost its primitive nature and was made to resemble European culture. Jackson’s analysis of the European family reveals an inherent double standard that allowed men to do as they chose under the guise of cultivating a “public image” while women were saddled with the burden of civilizing European men and African women:
As men reveled in the freedom from restraint that Africa’s ‘open spaces’ allowed, they cultivated a noble public image as husbands, fathers and benevolent household heads. Women, meanwhile, found themselves as civilisers in a double sense: of their European menfolk, first of all, for whom hearth and home were thought to provide a necessary protection against Africa’s degenerative effects; and of African women, to whom, it was hoped settler housewives might impart that civility necessary to produce pliant projections of their own idealized bourgeois selves