The film itself faced many production troubles, as Paramount’s studio chief, Sherry Lansing had the film made, but left when post-production began she left the studio and the film in the hands of executives that didn’t know what to do with it. Kusama later admitted that she wasn’t allowed film cut, telling Josh Horowitz that she “realized I’m a strong minded director with a very clear sense of what I want to do, and I just want to be left alone” (Horowitz, 2).
The experience wasn’t all bad, as Kusama met her future husband on the set of Aeon Flux and they would eventually reteam to create her career revitalizing film, The Invitation (2015). Kusama directed the film, while husband, Phil Hay wrote the script with his screenwriting partner. Much like Girlfight the film wasn’t a box office hit, but critics and audiences loved it, which ultimately landed her with directing a segment of XX (2016), a horror anthology film directed and centered around