Juxtaposition In America

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Thesis: Moore’s cinematic use of juxtaposition incontrovertibly denounces the truculent and belligerent ideologies of pro-gun Americans. Ultimately, portraying this large, patriotic and somewhat nationalistic population as the prominent source of hostility and disruption in a culture founded on the principles of fear and animosity.
Michael Moore effectively persuades the audience’s emotions towards pro-gun citizens, consequently, displaying them as indifferent disruptions to society, by placing distinct scenes immediately after each other, providing a literary contrast with explicit evidence for the viewers. Firstly, a significant example of juxtaposition occurs when the NRA (national rifle association) holds a rally directly after the sorrowful
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Furthermore, Moore switches back and forth between both rallies alternating between an aggressive Charlton Heston holding up his rifle and a grieving father trying to reduce the harmful effects of gun violence. This juxtaposition criticizes pro-gun Americans by exhibiting the incongruous relation of the contrasting elements; where corruption and profligacy are juxtaposed with innocence and rectitude. This provokes the audience to view these Americans as individuals responsible for bringing hostility into society. Secondly, the use juxtaposition is apparent when a pro-gun rally is held shortly after another agonizing school shooting, this time in Flint, Michigan. Jimmie Hughes, the principal of the school is mourning the death of 6-year-old Kayla Rolland who was shot. The poignant clip is followed by the feed of the controversial rally, once again pugnaciously led by Charlton Heston, promoting the usage of firearms. As a result, the scenes of the pro-gun event are immediately ensued by community members in despair, protesting for sensible gun control. Moore meticulously places these specific clips in a particular order, persuading the viewers into

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