In his play Twelve Angry Men, Reginald Rose brings us back in time to 1957, to a jury room of a New York Court of Law where one man, Juror #8, confronts the rest of the jury to look at a homicide case without prejudice, and ultimately convinces Juror #2, a very soft-spoken man who at first had little say in the deliberation. Throughout the play, several jurors give convincing arguments that make one think about whether the boy is “guilty” or “not guilty.” Ultimately, one is convinced by ethos, logos, and pathos. We can see ethos, logos, and pathos having an effect on Juror #2 as he begins as a humble man and changes into someone brave at the end. Although all three modes play a part in convincing Juror #2, pathos is the most influential because…