Traditionally, a tragic hero’s pride, or doubt in his fate becoming true is the tragic flaw. Meanwhile, Jordan’s weakness is his “inherent unwillingness to remain passive in the face of what he conceives to be a challenge to his dignity,” which is what Arthur Miller wrote in his essay “Tragedy and the Common Man”. This weakness is evident because Jordan does not seem to think that what he is doing is wrong; he believes that the money he was laundering from the ignorant lower class “‘was better off in my pocket. I knew how to spend it better” (Scorsese). In fact, unlike Aristotle and Miller’s ideas that once justice is served a lesson should be learned, Jordan never truly comes to terms with what he has done wrong. Although he went to prison, the film ends with a scene from a seminar for aspiring millionaires, in which Jordan is a motivational speaker. It is as if Jordan has not learned from or repented for his wrongdoings, and is continuing with another scheme to make
Traditionally, a tragic hero’s pride, or doubt in his fate becoming true is the tragic flaw. Meanwhile, Jordan’s weakness is his “inherent unwillingness to remain passive in the face of what he conceives to be a challenge to his dignity,” which is what Arthur Miller wrote in his essay “Tragedy and the Common Man”. This weakness is evident because Jordan does not seem to think that what he is doing is wrong; he believes that the money he was laundering from the ignorant lower class “‘was better off in my pocket. I knew how to spend it better” (Scorsese). In fact, unlike Aristotle and Miller’s ideas that once justice is served a lesson should be learned, Jordan never truly comes to terms with what he has done wrong. Although he went to prison, the film ends with a scene from a seminar for aspiring millionaires, in which Jordan is a motivational speaker. It is as if Jordan has not learned from or repented for his wrongdoings, and is continuing with another scheme to make