When a thousand people possess the privilege that allows them to freely reach the top, another two-thousand will still find themselves scrambling to take the first step up the mountain, completely out of control. In the first of John Berger’s essays compiled in Ways of Seeing, he utilizes the subject of art to discuss the dangers of allowing this sense of powerlessness to consume every aspect of our being, as those who reign superior ritually subdue us. He writes, “A people or a class which is cut off from its own past is far less free to choose and to act as a people or class than one that has been able to situate itself in history.” (Berger, 1972) With this statement, Berger actively highlights a tremendous injustice in society found so deep-seated within the fact that various subsets of people are restricted in gaining their respective freedoms in even the smallest corners of the world. Even by simply acknowledging a relation between elitists and the ‘average’ person in the artistic world, the recognition of life’s other inequalities seeps through, one of which can be located under the subject of women’s
When a thousand people possess the privilege that allows them to freely reach the top, another two-thousand will still find themselves scrambling to take the first step up the mountain, completely out of control. In the first of John Berger’s essays compiled in Ways of Seeing, he utilizes the subject of art to discuss the dangers of allowing this sense of powerlessness to consume every aspect of our being, as those who reign superior ritually subdue us. He writes, “A people or a class which is cut off from its own past is far less free to choose and to act as a people or class than one that has been able to situate itself in history.” (Berger, 1972) With this statement, Berger actively highlights a tremendous injustice in society found so deep-seated within the fact that various subsets of people are restricted in gaining their respective freedoms in even the smallest corners of the world. Even by simply acknowledging a relation between elitists and the ‘average’ person in the artistic world, the recognition of life’s other inequalities seeps through, one of which can be located under the subject of women’s