In the 16th century, composer Johann Sebastian Bach, created The Brandenburg Concertos, a six-part series. The concertos are a unique composition of music, utilizing instruments like the harpsichord, flute and violin to create a melodic conversation. Bach’s Bradenberg Concerto No. 5 in D Major is a particularly unique piece as it is the first to feature a keyboard solo. In this composition, the harpsichord stepped into the spotlight and ditched its normally supportive role. The three movements of this piece take you on a musical journey. The composition generally feels happy, uplifting and upbeat. The first movement is very powerful and long, followed by a second more airy movement and finishing with a third movement. Both the second and third
…show more content…
40 in G is a classical composition consisting of four movements. The piece was created in 1788. Mozart’s symphony first movement is written in sonata form, which consists of three parts: exposition, development, and recapitulation. This piece differentiates from other classical era movement sonatas in that it starts in media res, meaning that the listener immediately listens to fast motions of lower strings and a melody of violin octaves. The first theme of the first movement of the composition starts in G minor. Then the piece tempers during the bridge to B Flat Major for the second theme, a chromatic contrast to the first theme. For an extra dramatic effect, chromatic notes were added to increase the tension in this piece during the bridge passage. The dualism of emotion and control is at the center of this symphony and the composition expresses that. The second movement is in a freer form, a rounded binary form with each of its halves repeated (AABABA), giving it a sensitive and graceful feel. The third movement consists of a trio and classic minuet, characterized by an ominous minuet in minor key with polyphonic imitation. It is contrasted by a trio that puts the ensembles only brass instrument, the French horn, to use. The fourth movement concludes the piece in a rondo or refrain form. It expresses the significance of the symphony by combining the traditional sonata form used in the first movement and with the rounded binary form in the second movement. While the first movement starts with a sense of unease, the fourth movement is more violent due to the musical
40 in G is a classical composition consisting of four movements. The piece was created in 1788. Mozart’s symphony first movement is written in sonata form, which consists of three parts: exposition, development, and recapitulation. This piece differentiates from other classical era movement sonatas in that it starts in media res, meaning that the listener immediately listens to fast motions of lower strings and a melody of violin octaves. The first theme of the first movement of the composition starts in G minor. Then the piece tempers during the bridge to B Flat Major for the second theme, a chromatic contrast to the first theme. For an extra dramatic effect, chromatic notes were added to increase the tension in this piece during the bridge passage. The dualism of emotion and control is at the center of this symphony and the composition expresses that. The second movement is in a freer form, a rounded binary form with each of its halves repeated (AABABA), giving it a sensitive and graceful feel. The third movement consists of a trio and classic minuet, characterized by an ominous minuet in minor key with polyphonic imitation. It is contrasted by a trio that puts the ensembles only brass instrument, the French horn, to use. The fourth movement concludes the piece in a rondo or refrain form. It expresses the significance of the symphony by combining the traditional sonata form used in the first movement and with the rounded binary form in the second movement. While the first movement starts with a sense of unease, the fourth movement is more violent due to the musical