In Ji-Li Jiang’s Red Scarf Girl, Chairman Mao is the egregious dictator responsible for the destruction during the Cultural Revolution, achieved due to his manipulative nature. For example, near Ji-Li’s house stands a propaganda wall filled with quotes and pictures of Mao, one of which Ji-Li describes as, “… a beautiful copy of the popular painting Mao Ze-Dong on His Way to Anyuan… I could not look at the painting without feeling inspired. I was ready to follow him anywhere (101)”. This wall is an example of how Mao uses propaganda to build a greater image of himself and imprints that distorted picture in the viewers’ minds, causing them to believe that what they see is the unchallengeable reality. Ji-Li’s
In Ji-Li Jiang’s Red Scarf Girl, Chairman Mao is the egregious dictator responsible for the destruction during the Cultural Revolution, achieved due to his manipulative nature. For example, near Ji-Li’s house stands a propaganda wall filled with quotes and pictures of Mao, one of which Ji-Li describes as, “… a beautiful copy of the popular painting Mao Ze-Dong on His Way to Anyuan… I could not look at the painting without feeling inspired. I was ready to follow him anywhere (101)”. This wall is an example of how Mao uses propaganda to build a greater image of himself and imprints that distorted picture in the viewers’ minds, causing them to believe that what they see is the unchallengeable reality. Ji-Li’s