Jerome Robbins Centennial Celebration

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Over at NYCB, for the past three weeks night after night houses have been heavily sold and celebrities (Mandy Patinkin, Tommy Tune, and countless ballet luminaries from the past like Mikhail Baryshikov, Patricia McBride, Wendy Whelan, etc.) have been spotted at many performances. The Jerome Robbins Centennial Celebration was certainly a box office success. I didn't get to every all-Robbins performance but I did see three programs (Interplay/The Cage/Other Dances/Fanfare, In G Major/Afternoon of a Faun/Antique Epigraphs/The Concert, and Opus 19/The Dreamer/Dances at a Gathering/Glass Pieces) and this concentration of Robbins works was illuminating.

First of all, it confirmed why his biggest classics are staples of the repertoire -- they make their effects every single time. Dances at a Gathering never fails to draw the audience in with its mystical spell, The Concert will always be fresh and funny, The Cage shocking and brutal. Some standout performances: Savannah Lowery in her last season with NYCB as the Queen in The Cage, Tiler Peck as Pink Girl and Joseph Gordon as Brick Boy in Dances
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I will be taking a hiatus from blogging. Hopefully not permanent but probably so. Don't really want to get into the reasons. But overall I think it will be a good thing. I admit that I've been getting a swelled head as I've occasionally been recognized at performances and my readership has gone up. But at the end of the day I'm just a fan. This blog started out as something fun and therapeutic but over time I've realized how unqualified I am. I have no background training in music or dance or acting. This is all based on love of the art form, but there are professional critics way more qualified to give an opinion. I take a look at most blogs and there's an element of conceit in most of them, and conceit is never a good look. I do not want to become just another conceited unqualified blogger. So as Bugs Bunny would say, "That's all,

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