That is, the movie gives a visual representation of the novel unlike the song or the book. For example, when Javert tells Jean Valjean that they have found the real Valjean, he gets very nervous and looks down into the factory, he avoids eye contact with Javert and paces back and forth. This gives a visual representation of his anxiety and nervousness because he knows that a man is going to be charged for something he never did. Though visual representation is a good thing, sometimes it can cause over dramatization. The real Valjean goes to the courthouse as mayor to denounce himself, when the witnesses come to the stand to confirm that the man they found was Valjean. Every time the convicts say that Champ is Valjean, the real Valjean gets a pained look on his face and stares at the ground, he knows that he is ruining the life of an innocent man if he keeps silent. Though this never happened in the book, it elaborates on how the internal conflict affected
That is, the movie gives a visual representation of the novel unlike the song or the book. For example, when Javert tells Jean Valjean that they have found the real Valjean, he gets very nervous and looks down into the factory, he avoids eye contact with Javert and paces back and forth. This gives a visual representation of his anxiety and nervousness because he knows that a man is going to be charged for something he never did. Though visual representation is a good thing, sometimes it can cause over dramatization. The real Valjean goes to the courthouse as mayor to denounce himself, when the witnesses come to the stand to confirm that the man they found was Valjean. Every time the convicts say that Champ is Valjean, the real Valjean gets a pained look on his face and stares at the ground, he knows that he is ruining the life of an innocent man if he keeps silent. Though this never happened in the book, it elaborates on how the internal conflict affected