Not only does this part of the play lean heavily on the western patriarchal notion that women are incapable of committing a crime unaided and uncomplicated[] but it also upholds the stereotype that women are nonviolent[]. Not to mention the two character’s roles are domestic servants, further playing into the cultural norm that it is prevalently women that take on these positions[]. Genet then completely flips this on it’s head in the final scene when, in the climax of the play, the sisters finally manage to carry out the ritual to it’s finale, resulting in the suicide, or murder depending how you define it, of Claire through the poisoned cup of tea. This act of violence which closes the play completely overthrows the previously stated cultural norms of women. Genet proposes a narrative that subverts the discourse of femininity by bringing forth women who do commit acts of violence, further establishing the play as a dispute to the
Not only does this part of the play lean heavily on the western patriarchal notion that women are incapable of committing a crime unaided and uncomplicated[] but it also upholds the stereotype that women are nonviolent[]. Not to mention the two character’s roles are domestic servants, further playing into the cultural norm that it is prevalently women that take on these positions[]. Genet then completely flips this on it’s head in the final scene when, in the climax of the play, the sisters finally manage to carry out the ritual to it’s finale, resulting in the suicide, or murder depending how you define it, of Claire through the poisoned cup of tea. This act of violence which closes the play completely overthrows the previously stated cultural norms of women. Genet proposes a narrative that subverts the discourse of femininity by bringing forth women who do commit acts of violence, further establishing the play as a dispute to the