Through these techniques of doubling on the instruments, they created and deep and low foundation for the other instruments and vocals, so that the music evolved into a new genre of Jazz famous for its collective improvisations mixed with its robust prominent sounds. Every instrument in the small combo had a role and each part had to support the ensemble's sound, and in order to do that they would need a strong bass foundation to support the melodies. Moreover, bassists played walking bass lines, or scale-based lines that outlined the harmony and provided a foundation for the tunes, but because an unamplified double bass is usually the quietest instrument in a jazz band, many players of the 1920s and 1930s created the slap style. This style consisted of slapping and pulling the strings to make a rhythmic "slap" sound against the fingerboard. For many, a technique so unique and so unusual to many other instruments that it makes up a big part in playing the bass, especially in Jazz as many famous bassists such as Milt Hinton. The slap style cuts through the sound of a band instead of just plucking the strings, and it makes the bass more easily heard on early sound
Through these techniques of doubling on the instruments, they created and deep and low foundation for the other instruments and vocals, so that the music evolved into a new genre of Jazz famous for its collective improvisations mixed with its robust prominent sounds. Every instrument in the small combo had a role and each part had to support the ensemble's sound, and in order to do that they would need a strong bass foundation to support the melodies. Moreover, bassists played walking bass lines, or scale-based lines that outlined the harmony and provided a foundation for the tunes, but because an unamplified double bass is usually the quietest instrument in a jazz band, many players of the 1920s and 1930s created the slap style. This style consisted of slapping and pulling the strings to make a rhythmic "slap" sound against the fingerboard. For many, a technique so unique and so unusual to many other instruments that it makes up a big part in playing the bass, especially in Jazz as many famous bassists such as Milt Hinton. The slap style cuts through the sound of a band instead of just plucking the strings, and it makes the bass more easily heard on early sound