The rudimentary style, taking notable visual cues from Italian Neorealism, functions to showcase high realism in the ongoing drama in LaMotta’s life. One notable instance of this style operates in the kitchen scene that occurs after the montage of Jake LaMotta’s “successful” period in the mid-1940s. The editing restricts most of the shots of the scene to very simple shot-reverse shots of dialogue between Jake and Joey LaMotta. As well, certain periods in scene linger on, primarily when Jake questions his wife’s off-hand comment on his upcoming competitor’s “good look[s]”. The sparseness of the pacing objectively presents the drama of the LaMotta’s life and his masculine insecurity, with a realness that the viewer can more readily cling on to, or in some other scenes be appalled
The rudimentary style, taking notable visual cues from Italian Neorealism, functions to showcase high realism in the ongoing drama in LaMotta’s life. One notable instance of this style operates in the kitchen scene that occurs after the montage of Jake LaMotta’s “successful” period in the mid-1940s. The editing restricts most of the shots of the scene to very simple shot-reverse shots of dialogue between Jake and Joey LaMotta. As well, certain periods in scene linger on, primarily when Jake questions his wife’s off-hand comment on his upcoming competitor’s “good look[s]”. The sparseness of the pacing objectively presents the drama of the LaMotta’s life and his masculine insecurity, with a realness that the viewer can more readily cling on to, or in some other scenes be appalled