Faced with the unknown, we can pretend it isn't there" (285), but Gladney knowing when he is bound to die is forced to confront his demons. Jack's hysteria over the end of existence is proportionally greater to others simply because he already knows he is bound to die. Gladney allows this paranoia, this dread, this terror, to halt the rest of his life. This in turn clouds his judgement and compels him to turn from “the dier” into “the killer”. As a result from this certainty of his demise, Gladney wills himself to kill another human being just to feel as though he's postponed his own death. Murray Siskind, plants the idea "to gain life-credit. The more people you kill, the more credit you store up" (137). Jack’s shooing of Willie Mink is considered to be seen as a momentary lapse in judgement because of jealously, but is truly the sprawling grasp of fear as it slowly takes over an entire being. The rationality, the better judgement, the morality of Jack Gladney, were overwhelmed by paranoia, changing his persona into one of impulse, and
Faced with the unknown, we can pretend it isn't there" (285), but Gladney knowing when he is bound to die is forced to confront his demons. Jack's hysteria over the end of existence is proportionally greater to others simply because he already knows he is bound to die. Gladney allows this paranoia, this dread, this terror, to halt the rest of his life. This in turn clouds his judgement and compels him to turn from “the dier” into “the killer”. As a result from this certainty of his demise, Gladney wills himself to kill another human being just to feel as though he's postponed his own death. Murray Siskind, plants the idea "to gain life-credit. The more people you kill, the more credit you store up" (137). Jack’s shooing of Willie Mink is considered to be seen as a momentary lapse in judgement because of jealously, but is truly the sprawling grasp of fear as it slowly takes over an entire being. The rationality, the better judgement, the morality of Jack Gladney, were overwhelmed by paranoia, changing his persona into one of impulse, and