In the words of Burke, “A new vision of the angelic and spiritual- in the person of Paola- dominates the last moments of La Dolce Vita, (Burke p. 109). This scene paradoxes and completes the opening scene of the film. The opening scene which pointed towards a “Great Awakening,” which is then translated into Paola’s emergence as this angelic Second Awakening. Thus, the film seems to come full circle. I do agree with the idea that a vast majority of the film pokes fun of the traditional Italian Catholic Church, with its scandalous sex appeal of the characters, partying and lavish lifestyles. However, it is the ending scene that makes me believe that perhaps the film is meant to show that even in this new way of life one can find a way back to the church, despite all of their promiscuous behavior. The main character in the film appeared to reach this point while being, “annulled,” at the end of the film and the angelic view of Paola we are left with furthers this
In the words of Burke, “A new vision of the angelic and spiritual- in the person of Paola- dominates the last moments of La Dolce Vita, (Burke p. 109). This scene paradoxes and completes the opening scene of the film. The opening scene which pointed towards a “Great Awakening,” which is then translated into Paola’s emergence as this angelic Second Awakening. Thus, the film seems to come full circle. I do agree with the idea that a vast majority of the film pokes fun of the traditional Italian Catholic Church, with its scandalous sex appeal of the characters, partying and lavish lifestyles. However, it is the ending scene that makes me believe that perhaps the film is meant to show that even in this new way of life one can find a way back to the church, despite all of their promiscuous behavior. The main character in the film appeared to reach this point while being, “annulled,” at the end of the film and the angelic view of Paola we are left with furthers this