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Individuality In Aldous Huxley's Brave New World

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Composers incorporate their own ideologies and beliefs in their respective texts in order to effectively convey a message to their audience. Evident in Aldous Huxley’s 1931 dystopian fiction novel ‘Brave New World’, Huxley represents both his personal and political perspectives through a fictional realisation of a futuristic dystopia. His vigorous stance against the rapid industrialisation of the world, and the possible misuse of technology to influence the freedom of the people are reflected overtly throughout the novel. This yearning for peace and free thought is shared by Josh Raskin’s 2007 short film ‘I met the Walrus’ which visualises an interview with John Lennon. With an overt display of intricate visual effects, Raskin efficiently communicates …show more content…
Huxley showcases the inherent flaws that entail an extremist totalitarian state by commenting on the blatant stripping of man’s individuality as those in power “decant…babies as socialised beings”, leaving them to fulfil “their unescapable social destiny”. The motto of the BNW, “Community. Identity. Stability” is in alignment with communist beliefs and therefore draws links to a society devoid of free thought, dissuading individuality and giving rise to an almost fascist style of government. Through the removal of the concept of a ‘mother’ and ‘father’, labelling it “gross viviparous reproduction”, Huxley succeeds in removing intimate emotional attachment from those that live within the BNW. This lack of emotion is in correspondence to a loss of humanity and individuality as citizens of the BNW are “unalterably conditioned” to follow the hierarchy. Therefore, Huxley intertwines his fears of extremist communality with a fictional dystopian world to allow him to effectively represent his personal beliefs, exploring the text’s purpose as a physical realisation of Huxley’s fears for the future of automation, and humanity as a

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