Impressionism vs Post - impressionism Essay

1890 Words Jul 15th, 2014 8 Pages
Impressionism vs Post Impressionism

Modern culture is believed to be the brainchild of two versions of the Protestant worldview: the northern French positivism and irrationalism. If the first is trying to discern the signs of the afterlife in the image of reality (which is actually a reflection of the culture established meanings), the second doubts of the possibility to view anything except for one’s own feelings. Impressionists were trying to recreate their sensory impressions with scientific precision. Analytical approach to his own artistic activities allowed them to
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This right was also upheld by other Impressionists with their own exhibitions arrangement, 8 exhibitions from 1874 to 1886 saw the art world. Only some of the artists, like Monet, Pissarro, and Sisley, followed the general program (outlined above). Renoir preferred to portray and rosy girls and children, rather than landscapes, B. Morisot often wrote indoors, Degas depicted working moments of dancers in their rehearsals, sometimes in the artificial light of the ramp; bakeries and cafes; horses before the races, etc.
In the literature impressionism never took a holistic direction, as stylistic feature, aspirations to convey instant impression, impressionism was inherent in the works of writers following different directions. Connoisseurs of the stretched and sophisticated psychological research were the brothers Goncourt, K. Hamsun (with his novel ‘Hunger’); the epic memories analysis of Marcel Proust ‘In Search of Lost Time’ turns into ‘the streams of consciousness. Impressionism in poetry is subtle observations and descriptions using purely scenic resources, but in delicate pastel colors inherent in neoclassicism (modernity), as well as methods of thin associative sound writing inherent primarily in Verlaine’s poems and sometimes his followers (Hauser, 2005).
Postimpressionism term comes from Latin word ‘post’ meaning ‘after’ and impressionism in order to denote the conditional collective designation of the main directions of French painting of

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