Impressionism vs Post-Impressionism Essay

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Impressionism, the Benchmark of Post Impressionism
Marvin Johnson
WGU

November 09, 2014

I
Impressionism and Post Impressionism

In France, by the conclusion of the nineteenth century many changes were arising. The social and political arenas were in an uprise. This environment made way for diversities among the artistic styles of the day. It encouraged artist to display their abilities and uniqueness in masterpieces of art, music, and theater. Visual arts, such as photography and film-making gained appreciation. As Impressionism broke away from traditional art, it was regarded as controversial originally and endangered the worth of fine art.
Impressionism expressed a fresh approach to creativity rather than just
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Impressionism grew in Paris in spite of difficult times and influence There was hostile resistance from the conservative artists.
In 1874, a renowned group of artists, engravers, and sculptures erected a display in the studio of Felix Nadar. This group was known as the Cooperative and Anonymous Society. Thirty artists comprised the society’s protest to the ordinary artistic genre. Features of impressionism, in lesser, noticeable strokes, exposed structures, normal themes, and portrayed light in a shifting feature, gave accent on color where previous focus was on lines. It had uncluttered arrangement and unfamiliar angles. Generally, impressionism was rendered outdoors with sincere postures painted in elegance. The masterpieces captivated the personality and core of the theme. It was a hurried skill often completed in a very short amount of time. (Impressionism, 2014).
Claude Monet, the forefather of impressionism, would paint what he saw, adding his own emotional emphasis, rather than merely replicate from others. The impressionist also highlighted common folk rather than the more elite class. Claude learned that the shading of shadows wasn’t merely black or brown, but the shades were a reflection of the color(s) that encircled the piece of art. The artist technique used today is celebrated as diffuse reflection (Claude Monet, 2014). Pierre-Auguste Renoir stood as a comrade of Monet. He was also known as an impressionist. He focused

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