At one point she admits that “Joan was the beaming double of [her] old self, specifically designed to follow and torment [her]” (Plath 205). Indeed, Joan’s life is almost identical to Esther’s; they’ve shared the same boyfriend, they were both over-achievers in college, and they are both mentally unstable. After Joan kills herself, Esther begins to change her life. She starts by ending things with her ex-boyfriend Buddy Willard and demands Irwin, a man who hospitalized her, to pay for the bill. A few days later, she is invited to attend Joan’s funeral and while she is observing them put Joan six feet under, Esther finds a sense of relief as though the complicated suicidal part of her died along with her double Joan. At the funeral she begins to chant “I am I am I am” (Plath 234), a chant she used before, but this time a much “more comforting than another time the refrain had occurred, as she contemplated death through drowning” (Wagner) in one of the previous chapters. The irony in this is that most people would feel some sort of sorrow for someone, especially a friend who has just passed away, but to Esther, she feels as though she is liberated from the part of her that drove her to madness, thus giving the impression that there is hope for self-identity in Esther’s
At one point she admits that “Joan was the beaming double of [her] old self, specifically designed to follow and torment [her]” (Plath 205). Indeed, Joan’s life is almost identical to Esther’s; they’ve shared the same boyfriend, they were both over-achievers in college, and they are both mentally unstable. After Joan kills herself, Esther begins to change her life. She starts by ending things with her ex-boyfriend Buddy Willard and demands Irwin, a man who hospitalized her, to pay for the bill. A few days later, she is invited to attend Joan’s funeral and while she is observing them put Joan six feet under, Esther finds a sense of relief as though the complicated suicidal part of her died along with her double Joan. At the funeral she begins to chant “I am I am I am” (Plath 234), a chant she used before, but this time a much “more comforting than another time the refrain had occurred, as she contemplated death through drowning” (Wagner) in one of the previous chapters. The irony in this is that most people would feel some sort of sorrow for someone, especially a friend who has just passed away, but to Esther, she feels as though she is liberated from the part of her that drove her to madness, thus giving the impression that there is hope for self-identity in Esther’s