Iago’s plan is the most passionate and creative part of the play since it is driven by some of the most powerful human forces--envy and jealousy. “O, beware, my lord of jealousy!/It is the green-eyed monster which doth mock/The meat it feeds on. (3.3 195-200) Iago is aware of the dangers of jealousy, for, he is an example of what it can make a man do. His own jealousy is “feeding” on him, harassing him, so much so that it drives him to risk the lives of himself, his wife, and anyone who gets in his way. The passion and creativity of his plan derive from Iago’s jealousy and envy, which manifests in both skillful deception and malicious deceit. After Othello catches a glimpse of Cassio leaving his bedroom Iago uses this as a means to instill suspicions in Othello of an affair between Desdemona and
Iago’s plan is the most passionate and creative part of the play since it is driven by some of the most powerful human forces--envy and jealousy. “O, beware, my lord of jealousy!/It is the green-eyed monster which doth mock/The meat it feeds on. (3.3 195-200) Iago is aware of the dangers of jealousy, for, he is an example of what it can make a man do. His own jealousy is “feeding” on him, harassing him, so much so that it drives him to risk the lives of himself, his wife, and anyone who gets in his way. The passion and creativity of his plan derive from Iago’s jealousy and envy, which manifests in both skillful deception and malicious deceit. After Othello catches a glimpse of Cassio leaving his bedroom Iago uses this as a means to instill suspicions in Othello of an affair between Desdemona and