This scene in register 15 shows a woman named Aelfgyva having her faced touched by a cleric, but the caption does not share any more information. Directly underneath Aelfgyva and the cleric is a squatting naked man and a naked workman. Much thought has gone into identifying who Aelfgyva was. McNulty postulates that she was a historic woman, Aelfgyva of Northampton, with confirmed promiscuity whose son had a claim to the English throne. The rumors said that Aelfgyva, who was married to the Cnut, king of England, Denmark, Norway, could not conceive and instead took the baby of a workman and convinced the king it was hers. Harold and William talk animatedly about this, gesturing to the scene to the right, which does not occur in the castle, but is a remembered event. Harold and William, known enemies, seem excited about this event, because this son is an imposter and has no claim to the English throne, which justifies both of their
This scene in register 15 shows a woman named Aelfgyva having her faced touched by a cleric, but the caption does not share any more information. Directly underneath Aelfgyva and the cleric is a squatting naked man and a naked workman. Much thought has gone into identifying who Aelfgyva was. McNulty postulates that she was a historic woman, Aelfgyva of Northampton, with confirmed promiscuity whose son had a claim to the English throne. The rumors said that Aelfgyva, who was married to the Cnut, king of England, Denmark, Norway, could not conceive and instead took the baby of a workman and convinced the king it was hers. Harold and William talk animatedly about this, gesturing to the scene to the right, which does not occur in the castle, but is a remembered event. Harold and William, known enemies, seem excited about this event, because this son is an imposter and has no claim to the English throne, which justifies both of their