How Does Keuros Influence Greek Art

Improved Essays
From Greek to English, the word “kouros” translates into young man. Such is the purpose of the Kouroi movement at the start of the Archaic Period in Greece, to represent young, strong men in funerary art. A man in his grave would not want to be remembered or represented as an old man, as told by Minnermus of Colophon in his poetry, where he stated, “But once old age with its sorrows advances upon us, it makes a man feeble and ugly alike” (Minnermus). These human sized statues were very much influenced by the life-sized statues in Egypt of the time. Like the Egyptians, the Greeks “use of grids and proportional systems led to a formulaic approach” (Neer 151). The statues would be cut out of a large block of stone, drawn on all four sides to perfect …show more content…
It was, like most kouros, a grave statue, but some argue that this one in particular might actually be representative of Apollo. Not only is this backed up by evidence found in the temples dedicated to Apollo, but Professor Andrew Stewart also points out that “pictures of kouros-like Apollos on coins and bases” are present in the archaeological record (Stewart 57). Apollo is the only god represented in kouros-like manner, and this statue specifically takes on his likeness. It follows the traits of other kouros: nude, minimal decoration, powerful and young, but this one has a huge grin on his face. While most kouros smile, the Tenea’s one is specific. Stewart predicts that this one is celebrating being “blessed, alive in a paradise away from the cares of life” (Stewart 64). This smile in particular gives meaning to the afterlife, and suggests that it may not be all that bad. So while all kouros are supposed to symbolize the youth and generic qualities of a perfect man, they can also have some kind of individualized meaning specific to the grave, or it can even be representative of a

Related Documents

  • Improved Essays

    The statue, a hollow-cast bronze, is fully frontal with a ridged and stiff posture (Ridgway 1967: 46). The left foot is taking a step forward, but both feet are firmly planted on the ground. The chest is square and bulky, yet the features, such as the abdominal muscles and the pectoral muscles are barely defined because of a lack of modeling with the “omission of digitations or ribs” (Ridgway 1967: 50). The statue is in the nude, like archaic kouros are. The face is angular with high copper brows and copper lips that are demonstrating the prominent archaic smile.…

    • 838 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    For this analysis, the artwork I selected a Volute Krater made in Greece during the 4th century B.C.E. The artist, The Underworld Painter, uses several lines, especially in the temple made for Atlas. The horizontal and vertical lines give the temple definite shape because of the thickness and they signify that a hero who has died, is the focal point on the back of the vase. The artist also uses curved lines at the top of the vase to show the richness of detail and drive the story further. The artist also uses the pointing hands of several figures to show a psychological point; Atlas on his throne and Selene driving her chariot.…

    • 1129 Words
    • 5 Pages
    Decent Essays
  • Improved Essays

    Question 1: The sculpture of Menkaure and a Queen was built around 2490-2472 BCE. The original sculpture of Augustus of Primaporta is believed to have been built around 20 BCE. These pieces of art were created in different periods and places. Throughout time there has been a similarity between civilizations everywhere.…

    • 1659 Words
    • 7 Pages
    Improved Essays
  • Improved Essays

    This remarkable work of art from 530 BCE. is suggested to be a representation of a goddess because of the jewelry displayed and her specific garment. The word “Kore” is a type of figure that was found throughout Ancient Greece that depicted a female figure with clothes, while Kore’s male…

    • 802 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The Mooai: The Statues

    • 73 Words
    • 1 Pages

    The statues, whose traditional name is "moai," were carved from volcanic rock between A.D. 1100 and 1500 by ancient Polynesians. They range in size, with the tallest reaching 33 feet (10 meters). Although their significance is still somewhat of a mystery, the moai are thought to have been representations of the indigenous peoples' ancestors. Tribespeople would probably have carved a new statue each time an important tribal figure passed away, Van Tilburg…

    • 73 Words
    • 1 Pages
    Improved Essays
  • Improved Essays

    Art and particularly Western Art is being inspired and is a response to its past or to another culture: there is a continuous inspiration and exchange creating new art movement and works. This habit is quite old and existed even during the Greek archaic period: for exemple the Orientalizing style that from the VIII and VII century BC notable in Corinthian Greek poetry was a direct influence by Middle-Eastern art and style at the time (Cook, R.M., Dupont, P. 1998. East Greek Pottery. London: Routledge.). The “creativity” of this art movement was just the reinterpretation of other art styles.…

    • 944 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    The Statue of Osiris seems to be cut from a stone slab. Also, there is a base adjoined to the sculpted image. The image of Osiris is cut so it looks freestanding but it is connected to an outer stone. The Statue of Hercules is completely freestanding, there is nothing it is connected to. The Statue of Hercules also takes up more outward space.…

    • 1357 Words
    • 6 Pages
    Great Essays
  • Improved Essays

    The Etruscan Apollo of Veii, made in five hundred BCE shows just how much the early Romans were influenced by both the artwork of the Greeks and the artwork of the Egyptians. This work of art can be compared to the Kouros that were found in Greece. These Kouros share the same positioning, standing somewhat stiffly and with little…

    • 526 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The statue is fashioned from marble and stands 3 and a half feet tall. The statue depicts a Gaul man who is laying on his shield as blood pours from the gash in his chest. Hellenistic art is realistic in that his skin appears hard and dry, the muscles appear heavy, his face expresses pain, anguish and despair, which is a common style of the Hellenistic period. They were also very interested and intrigued by pathos and death during this style period. The sculptor depicted this Gallic man with matted hair, a mustache, and a twisted collar which were characteristics of a barbarian, greatly feared and admired, and worthy battle opponents.…

    • 547 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Art is an expression of the human condition since the time when men and women dwelled in caves. Creativity is not proprietary to what we consider modern times. This essay will look at two sculptures from the third millennium B.C. Each of these statues tells us something about the motivations of people of that particular era.…

    • 634 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    The sculpture was created after the first ruler of the Semitic-speaking Akkadian Empire, conquering the Sumerian City in the 24th to 23rd centuries BC. He wasn’t just the king of the Akkadian Empire and Sumerian City, but also the king of Kish. He was known as a legendary figure in the 8th to 7th BC. The head represented as a substitution meaning if the sculpture was to be damaged, the king himself would also be harmed. The sculpture was originally made as a whole body until it had fallen over.…

    • 1051 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    This statue of course depicts the great Athena, goddess of war and wisdom. The face is…

    • 794 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    This work is reminiscent of Roman sculptures but has great interpretations and Hellenistic interpretations as well. When creating the Marble Statue of an Old…

    • 945 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    This interest in the beauty of the human body led to the desire to create more realistic looking sculptures. Before humanism free standing sculpture was still very rigid and unnatural. The first kouros still resembled ancient Egyptian sculpture. The arms are to the side with his left foot forward, though both heels remain on the ground. Humanism in Greece led to many changes in the art world.…

    • 773 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Kritios Boy Analysis

    • 1378 Words
    • 6 Pages

    Ancient Greece has been heralded as one of the remarkable foundations for global culture. From advances in art and architecture, Greek culture has permeated virtually all of the western world, specifically from the Classical period on. The Kritios Boy represents the beginnings of the quintessential Classical Greek statuary, and will serve as an innovative gateway into the expansive and influential Classical Greek tradition. Through a distinct shift in the representation of the human body and its subsequent development in sculpture, the Kritios Boy emulates Greek ideals of harmony and order, and will influence the development of the Classical style.…

    • 1378 Words
    • 6 Pages
    Superior Essays