William Shakespeare is one of the world 's most renowned writers. He is mainly known for his incredible characters. Some of these works include Othello and Macbeth. Rather than the main characters from each work it is seem to be the true master rhetoricians stand out in these works; Iago and Lady Macbeth. The two prove themselves to be master rhetorician magicians, but every magician has there secrets.…
Iago does this successfully as he acts to Othello as a good friend by only merely suggesting the affair and seemingly let Othello act out due to Iago’s suggestive comments. Iago backing out of the web that he has created and trapped Othello in. Iago’s deceptive nature is seen when he is talking to Othello and after telling him of the affair he acts as if he is comforting Othello saying “ loving is only a tiny part of a mans life”, picking as Othello as he knows Desdemona is his lover who is treasured by him, his whole life revolving around his love for Desdemona despite his strong appearance as a military…
When scared, angry or jealous, people will often fall to the effects of manipulation. Manipulation is when someone uses lies and careful wording to convince someone of an illogical thought process. In Shakespeare’s Othello, General Othello is manipulated by his flag-bearer, Iago, into demoting his lieutenant and murdering his wife, Desdemona. Iago is eventually defeated after his wife, Emilia, sees through his manipulation and reveals his lies.…
Iago is described as “a puppeteer of the psyche, he pulls the strings of those who should know better with a battery of verbal weapons” (edsitement.neh.gov). Said to be the most cunning and persuasive villain of any Shakespeare composition, Iago, the antagonist of Othello, verbally manipulates the characters of the show to benefit himself in an almost seamless manner with his convincing rhetoric. Like a puppeteer and his marionettes, Iago deploys rhetorical devices and strategies that include vivid bestial imagery, meaningful pauses, and reverse psychology to manipulate the characters and their actions. Iago captivates the characters in the story with his sly rhetorical style.…
In Kenneth Gross’ article “Slander and Skepticism in Othello” Gross discusses the use of deceit and lies throughout the play. Iago is one of the main topics discussed in this article and is even stated to be “committed” to the “suspicions” he makes the other characters think but without “hidden meanings” or using “double entendres” (Gross 824). This observation shows Iago’s inability to stop his deceits because he is so dedicated and invested in his meddling. The observation also points out that Iago uses opportunities instead of twisting a story.…
Othello allows himself to be poisoned and muddled by Iago’s fallacious words (Anand, 77). When Iago spins his lies of Desdemona’s adulterous actions with Cassio, Othello decides instead of consulting Desdemona or Cassio directly, he allows time for Iago to show him evidence of Desdemona’s unfaithfulness. This time allotted to Iago is time for him to conspire against Othello. As such, Othello’s “tragic flaw” lies in his inability to properly communicate with others. His and Desdemona’s death was a result of Othello’s own vulnerability, not necessarily Iago’s ingenuity (Christofides, 6).…
Manipulation, is to take control of a person or situation. It can happen cleverly, or unfairly. Iago is one of the masters of manipulation throughout Othello by influencing, controlling, and taking over others advantages as in Roderigo, Cassio, and Othello. All of the three men were manipulated by Iago in the play, but everyone seen Iago as someone to trust and take advice from because they call him “honest Iago.” All of Iago's manipulations, and lies catch up with him in the end of the play Othello.…
The Shakespearean play titled The Tragedy of Othello - The Moor of Venice revolves around the noble and wise general Othello, newly married and sent to battle in Cyprus. However, he is twisted psychologically by his vengeful officer Iago. By keeping multiple people isolated from others, Iago is capable of bending them to his will throughout the course of the play. This is not only a device of storytelling made for Othello, but a warning that when used effectively, isolation could be used to disastrous results. While it is not the first time Iago can be seen alone with someone, the first time he is truly seen using his abilities in manipulation and suggestion is when he warns Montano that he needs to closely watch the now drunken Cassio, saying…
During the beginning of the play, Othello was nowhere to be seen and was only mentioned by nicknames liked black ram, the devil, and The Moor. The characters that were there was Iago, Roderigo, and Brabantio. The reason this is important is that this act shows a glimpse of Iago characteristic which is manipulation. Compared to starting the play with Othello’s achievements which was later said in act one, scene two and the act five, William Shakespeare decided to let the audience learn more about Iago than Othello, which leaves a spotlight on Iago and the audience wanting to learn more about him. In Iago's Alter Ego: Race as Projection in Othello written by Janet Adelman, she noted that unlike most Shakespeare plays the beginning did not focus…
This metaphor lets us see Iago as the master gardener, planting his schemes and growing other people to his will by manipulating theirs, and reinforces that this is his midset. Another anecdote of Iago’s talent of manipulation is how he plans to manipulate Othello’s demise in any way he possibly can. This is displayed when he tells Othello, “Do it not with poison, strangle her in bed” (4.1.202) when forming his plan to kill Desdemona. He wants to play with Othello’s emotions even further by convincing him to kill Desdemona in an even more personal way. As this plan is…
Othello was the main focus of Iago's manipulation. Iago manages to make Othello feel that Desdemona is having an affair with Cassio. He manipulates Bianca by making her find the handkerchief, a wedding present from Othello to Desdemona. Iago very cleverly manipulated every character subtly without them realising until the damage had been done.…
Iago whispers thoughts in Othello 's ear to cause him to believe his wife Desdemona has committed adultery with Michael Cassio, his lieutenant “Sweet Desdemona, Let us be wary, let us hide our loves” (Act 3, Scene 3). All the while Iago pompously talks to the audience about revealing his master plan of how we will set things right by using his clever tenacity: “And what’s he then…
When Othello is introduced in the play, Iago informs him that Desdemona’s father, Brabantio, has found out about their marriage and is speaking ill of him. Instead of becoming angry, Othello shows his lack of concern by saying, “Let [Brabantio] do his spite” (Othello 1.2.18). By playing upon Othello and Desdemona’s differences in race and social standings, Iago makes Othello believe that his wife is sleeping with Cassio. Iago knows Desdemona has control over Othello’s heart and social standings, and an affair would cause him to lose his position and respect in society. The audience pities Othello as his mind deteriorates, but this turns to anger when he vows to kill Desdemona; hits her; and calls her a “devil” (Othello 4.1.171-232).…
Act I Prompt In the play Othello, by William Shakespeare, Iago appears to be evil, very clever, and ruthless when manipulating other characters and using their weaknesses to his advantage. In the beginning of Act I, Scene i, Iago’s personality begins to show when he convinces Roderigo to inform Brabantio of his daughter’s secret marriage with a moor named Othello. Iago demands for Roderigo to, “Chase after Othello and ruin his joy, mock him in the streets…”(1.1.70-71).…
Iago sets up a talk with Cassio in front of Othello to talk about Bianca, but make it as if they are talking about Desdemona. Bianca later on walks in setting up Iago’s plan further by questioning Cassio about Desdemona’s handkerchief. Iago’s quick thinking leads him to be one step ahead to manipulate and plot schemes so, upon hearing this Iago tells Othello “Yours, by his hand. And to see how he prizes the foolish woman your wife; she gave it to him, and he hath given it his whore” (4.1.171-173). Iago is exploiting Othello and Desdemona’s relationship, while playing on Othello’s fears and composing a web of lies.…