this love turns dangerous when Tim the horse carer finds out. The Stanza uses imagery to describe both Tim and the highwayman. “He’d a french cocked hat on his forehead bunch of lace at his chin,a coat of velvet… and he rode with a jewelled twinkle, his pistol butt twinkled, his rapier hilt a twinkle, under the jewelled sky… but I shall be back with yellow gold before the moonlight.” this shows that the highwayman has a lot of wealth and money from robbing people and that he will do it no matter the risk. The passage also uses imagery of Tim when he finds out “and dark in the old inn yard a stable wicket creaked where Tim the ostler listen; his face was white and peaked his eyes were hollows of madness his hair like mouldy hay, but he loved the landlord's daughter.” this is a great part of imagery Noyes uses to create a mad image of Tim t contribute to the dark atmosphere he established earlier in the
this love turns dangerous when Tim the horse carer finds out. The Stanza uses imagery to describe both Tim and the highwayman. “He’d a french cocked hat on his forehead bunch of lace at his chin,a coat of velvet… and he rode with a jewelled twinkle, his pistol butt twinkled, his rapier hilt a twinkle, under the jewelled sky… but I shall be back with yellow gold before the moonlight.” this shows that the highwayman has a lot of wealth and money from robbing people and that he will do it no matter the risk. The passage also uses imagery of Tim when he finds out “and dark in the old inn yard a stable wicket creaked where Tim the ostler listen; his face was white and peaked his eyes were hollows of madness his hair like mouldy hay, but he loved the landlord's daughter.” this is a great part of imagery Noyes uses to create a mad image of Tim t contribute to the dark atmosphere he established earlier in the