When the Vogels became interested in any artists’ works, they would become enamored with viewing the artists’ work in depth and full. The relationship would become like a friendship or family relation, where weekly phone calls were the norm. Through the phone calls, artists said they would were able to keep up with the art world scene in a few minutes a week on the phone with them. The Vogels would visit the artists’ studios and view current projects and gain a tour of their latest process.
2. What kind of art did the Vogels collect?
The Vogels were collecting minimalist artworks.
3. How were they able to collect so much work on such a limited income? What was their approach? What were their criteria in terms of buying work?
Some Artist did make the claim the Vogels were cheating them, because they would go straight to the artist with low offers. These were few and far between, because many of the artist interviewed felt they were a god-send, by just buying their work. The Vogels liked to find new emerging artist that were difficult for the art world and public to understand their work. They used their person eye for aesthetics to make decisions and the curriculum of if they could carry it on the subway or in a taxi back to their apartment. They once returned a minimalist sculpture because it could not be displayed in their apartment for a different piece. Their works they bought were to live with them, which effected their choices. …show more content…
What did the Vogels do to get their first work by Jeanne-Claude and Christo?
Jeanne-Claude and Christo offered a collage of their work, Valley Curtain, in exchange for cat-sitting. 5. Describe the Vogels’
2. What kind of art did the Vogels collect?
The Vogels were collecting minimalist artworks.
3. How were they able to collect so much work on such a limited income? What was their approach? What were their criteria in terms of buying work?
Some Artist did make the claim the Vogels were cheating them, because they would go straight to the artist with low offers. These were few and far between, because many of the artist interviewed felt they were a god-send, by just buying their work. The Vogels liked to find new emerging artist that were difficult for the art world and public to understand their work. They used their person eye for aesthetics to make decisions and the curriculum of if they could carry it on the subway or in a taxi back to their apartment. They once returned a minimalist sculpture because it could not be displayed in their apartment for a different piece. Their works they bought were to live with them, which effected their choices. …show more content…
What did the Vogels do to get their first work by Jeanne-Claude and Christo?
Jeanne-Claude and Christo offered a collage of their work, Valley Curtain, in exchange for cat-sitting. 5. Describe the Vogels’