How Did Picasso And Matisse Differ In Their Views About The Purpose Of Art Analysis

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Q.1.) How did Picasso and Matisse differ in their views about the purpose of art? How did their styles differ? Which works best exemplify their different styles?
A.1.) First with Pablo Picasso, he once said, “the purpose of art is washing the dust of daily life off your souls". From his famous quote, we can gather that our lives require day by day measurements of art similar to how our body needs a clean and healthy bathe to remain perfect and sound. In other word, art is the essential request that our spirit needs for. While our body needs sustenance to prosper, our lives require art as support to flourish. Art reestablishes our soul by offering us delight and bliss and enabling us to overlook distress. Regardless of whether it is music, theater,
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Rather, it leaves the viewer somewhat muddled or shocked and now and again, stunned. At the point when an artist can abandon you pondering what the message of his or her work is, they have done precisely what they went for. Presently, it is not necessarily the case that Picasso did not, or couldn't deliver genuine art masterpieces that everybody could appreciate. A great deal of us don't understand that Picasso painted his "Old Angler" at only 14 years old. Truly terrific.
Henri Matisse once said, “What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject-matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue.” His believes art should be the perfect definition of life. Something that only brings good and no evil, no wrong.
Matisse style included utilizing colors that were pure and the white of the presented canvas was to make the light-filled air stand out in his artistic creations. As opposed to demonstrating and shading to loan volume and structure to his photos, Matisse utilized differentiating zones of unadulterated shading. These thoughts kept on being essential to him all through his art
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In spite of the fact that they worked freely from each other, these specialists were joined by a conviction that theoretical artwork was equipped for summoning a spiritual affair. Conveying everything that needs to be conveyed through philosophical compositions and in addition works of art, they rehearsed art as a supernatural mission for higher truth. For Kandinsky, a focal figure of German Expressionism, the achievement to reflection happened around 1911, when he started to paint thickly layered compositions of free-skimming lines and regions of shading, with titles, for example, Improvisation and Composition, which uncovers his want to ingrain visual shape with the properties of music. In some of these early theoretical works, for instance Painting with White Borders (1913), one can in any case perceive scene components like slopes or trees, however their highlights have been diminished to an expressive mosaic of line and

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