“I'm the type who'd be happy not going anywhere as long as I was sure I knew exactly what was happening at the places I wasn't going to. I'm the type who'd like to sit home and watch every party that I'm invited to on a monitor in my bedroom.” -Andy Warhol. Andy Warhol, icon of his time, and one of the most successful artists of the 20th century, Andy Warhol was truly transcendent. His early works of commercial art and magazine spreads changed the way the world viewed magazines and newspapers. Andy Warhol has made a long lasting impact on the pop culture with his abstract paintings? Born Andrew Warhola on August 6, 1928, in Oakland in Pittsburgh, Pennsylvania, Andy Warhol's parents were Slovakian immigrants. His father, Ondrej Warhola, was
…show more content…
Warhol based this portrait on a publicity still from the 1953 film Niagara. He painted the background gold before silkscreening the boldly colored face in the center, adding black to show her features. Even as Warhol canonizes Monroe, he reveals her public persona as a carefully structured illusion. For Marilyn, he created ten highly variable portraits, exploiting the possibilities in screenprinting for shifting colors and off-register effects. By celebrating the seemingly impervious veneer of glamour and fame, but acknowledging its darker inner complexity, these prints reveal Warhol's subtle grasp of American culture. Each image from the portfolio is sized 36 x 36”, considerably large and a closer crop of Monroe’s face. Each print is vibrantly colored to reflect her vivacious personality. In many of the prints, her iconic lips are boldly colored a deep red. Many of the prints also emphasize her platinum blonde hair by adding variants of yellow. In one of the prints, the actress is colored in silver and black, a stark departure from its vivid counterparts. This brings to mind the effect of watching the actress on the cinema screen in black and white. The dark colors are also a somber reminder of the actress’s
Warhol based this portrait on a publicity still from the 1953 film Niagara. He painted the background gold before silkscreening the boldly colored face in the center, adding black to show her features. Even as Warhol canonizes Monroe, he reveals her public persona as a carefully structured illusion. For Marilyn, he created ten highly variable portraits, exploiting the possibilities in screenprinting for shifting colors and off-register effects. By celebrating the seemingly impervious veneer of glamour and fame, but acknowledging its darker inner complexity, these prints reveal Warhol's subtle grasp of American culture. Each image from the portfolio is sized 36 x 36”, considerably large and a closer crop of Monroe’s face. Each print is vibrantly colored to reflect her vivacious personality. In many of the prints, her iconic lips are boldly colored a deep red. Many of the prints also emphasize her platinum blonde hair by adding variants of yellow. In one of the prints, the actress is colored in silver and black, a stark departure from its vivid counterparts. This brings to mind the effect of watching the actress on the cinema screen in black and white. The dark colors are also a somber reminder of the actress’s