In Sandra Cisneros’ “House On Mango Street” Esperanza experiences a moment of identity through her appearance. In the vignette, Chanclas, She is insecure about what her feet look like because they are supposedly so big, but she ended up noticing that nobody else noticed or cared. But the question is, did anybody actually notice or care about what she or her feet looked like? The answer is no, nobody noticed. In the vignette, “those who don’t” is about Esperanza talking about people who don’t understand the neighborhood and they make assumptions that it is a dangerous neighborhood because of the race of the neighborhood. But is it actually dangerous? She thinks her feet are growing bigger and bigger as she dances with her uncle in front
