Applying Michael Billig’s theory of banal nationalism to Schein’s study, can be interpreted as a constant symbol of the homeland. Though not the original homeland, the landscape from Laos becomes a constant reminder of a homeland for many first generation Hmong Americans who came here as refugees. The prevalence of these serene images of nature in turn become a reminder of what it means to be Hmong; being able to live the way a person wishes without fear of prosecution or obstruction. In a way, these mountains and jungles have become a symbolic refuge for the Hmong where they could live in peace.
Although home videos are not meant to be watch as regularly as videos produced by agencies, the images and symbols depicted here serve another significant method for reproducing Hmong nationalism. In the study conducted by Koltyk, home videos become a tool of recording history. The very action of recording is a symbol of particular sentiments centered around the fear of losing one’s self. Many people record activities and events as a means to preserve something precious. …show more content…
This example can be seen through the popular Hmong singer Maa Vue. She appeared as a guest performer at the 2016 Milwaukee Hmong New Year. Along with her appearance came a flood of photos of Maa Vue and her fans all over social media. Many were excited to meet the singer in person and get a chance to interact with Maa Vue (Lor, 2016). The appearance of Maa Vue and the following activity on social media is significant because it demonstrates a public figure’s ability to contribute to the Hmong national identity. Maa Vue signifies the Hmong potential succeed and excel in the United States. Much like the role of Michael Jordan and Kobe Byrant in the African American community, when a fan sees Maa Vue’s success it creates a sense of “this is Hmong, and this is what the Hmong can
Although home videos are not meant to be watch as regularly as videos produced by agencies, the images and symbols depicted here serve another significant method for reproducing Hmong nationalism. In the study conducted by Koltyk, home videos become a tool of recording history. The very action of recording is a symbol of particular sentiments centered around the fear of losing one’s self. Many people record activities and events as a means to preserve something precious. …show more content…
This example can be seen through the popular Hmong singer Maa Vue. She appeared as a guest performer at the 2016 Milwaukee Hmong New Year. Along with her appearance came a flood of photos of Maa Vue and her fans all over social media. Many were excited to meet the singer in person and get a chance to interact with Maa Vue (Lor, 2016). The appearance of Maa Vue and the following activity on social media is significant because it demonstrates a public figure’s ability to contribute to the Hmong national identity. Maa Vue signifies the Hmong potential succeed and excel in the United States. Much like the role of Michael Jordan and Kobe Byrant in the African American community, when a fan sees Maa Vue’s success it creates a sense of “this is Hmong, and this is what the Hmong can