Although he, “resisted worrying about the historical accuracy of the film as a whole”, Grossman was still able to describe the film as, “ Top down”, meaning that it started with the involvement of whites rather than displaying the influence of African Americans first. This is important to note as it shows Spielberg never intended to portray heavy African American influence, but only a film of white agency in political power. The debate between celebrating Lincoln despite its inaccuracies and having directors taking greater care when publicly representing history is still highly contested. Each side to the argument has its downfalls and its peaks, but where they separate from each other is when historical evidence and the fine line between art and falsity is
Although he, “resisted worrying about the historical accuracy of the film as a whole”, Grossman was still able to describe the film as, “ Top down”, meaning that it started with the involvement of whites rather than displaying the influence of African Americans first. This is important to note as it shows Spielberg never intended to portray heavy African American influence, but only a film of white agency in political power. The debate between celebrating Lincoln despite its inaccuracies and having directors taking greater care when publicly representing history is still highly contested. Each side to the argument has its downfalls and its peaks, but where they separate from each other is when historical evidence and the fine line between art and falsity is